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Young, Andrew McLaren, Margaret F. MacDonald, Robin Spencer, and Hamish Miles, The Paintings of James McNeill Whistler, New Haven and London, 1980 (cat. no. 330), plate 221, as 'Grey and Brown: The Sad Sea Shore'.
Authored by Whistler
'Notes' - 'Harmonies' - 'Nocturnes', Second Series, Messrs Dowdeswell, London, 1886 (cat. no. 43) as 'Grey and brown – The Sad Sea Shore'.
Exposition Internationale de Peinture et de Sculpture, Galerie Georges Petit, Paris, 1887 (cat. no. 184) as 'Gris et brun: La Plage'.
III. Internationale Kunst-Ausstellung, Königlicher Glaspalast, Munich, 1888 (cat. no. 63) as 'Grau und Brun. Ruhige See'.
“Notes” – “Harmonies” – “Nocturnes”, H. Wunderlich & Co., New York, 1889 (cat. no. 27) as 'Grey and Brown. The Sad Sea – Dieppe'.
- Anon., 'The Whistler Exhibition', Illustrated London News, London, 15 May 1886, p. 14.
Morning Post, London, ca 10 May 1887, in GUL Whistler PC 3, p. 120.
Books on Whistler
Holden, Donald, Whistler Landscapes and Seascapes, New York, 1969, repr. pl. 32.
Taylor, Hilary, James McNeill Whistler, London, 1978, pl. 96.
Stubbs, Burns A., Paintings, Pastels, Drawings, Prints and Copper Plates by and attributed to American and European Artists, together with a List of Original Whistleriana in the Freer Gallery of Art, Washington, DC, 1948, p. 16 (14.2).
Curry, David Park, James McNeill Whistler at the Freer Gallery of Art, New York and London, 1984, pp. 142, 295, pl. 47.
Dempsey, Andrew, 'Whistler and Sickert: A Friendship and its End', Apollo, vol. 83, January 1966, pp. 30-37, at p. 32.
- Freer Gallery of Art website at https://asia.si.edu/object/F1914.2a-b.
Revillon, Joseph Whistler, Draft Catalogue Raisonné of the Paintings of J. McN. Whistler, [ca 1945-1955], Glasgow University Library (cat. no. 410).
Parkerson, Sarah Lawrence, Variations in Gold: The Stylistic Development of the Picture Frames used by James McNeill Whistlers, PhD thesis, University of Glasgow, 2007.
Last updated: 31st December 2020 by Margaret