In the Studio may date from August 1865 when Whistler, as he told Ignace-Henri-Jean-Théodore Fantin-Latour (1836-1904), was planning a group portrait. 1
In the Studio, Detroit Institute Of Arts
It is fully catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 324).
In the Studio, Detroit Institute Of Arts
The Artist's Studio, Dublin City Gallery, The Hugh Lane
Whistler in his Studio, Art Institute of Chicago
Whistler in his Studio, Art Institute of Chicago
The interior looks like Whistler's house in Lindsey Row, Chelsea, as seen in The Artist in his Studio (Whistler in his Studio) y063.
In the Studio, Detroit Institute Of Arts
Possibly Joanna Hiffernan (b. ca 1843-d.1886) and Emelie 'Millie' Eyre Jones (1850-1920).
In the Studio, Detroit Institute Of Arts
The Artist's Studio, Dublin City Gallery, The Hugh Lane
Whistler in his Studio, Art Institute of Chicago
This may be a preliminary study, like the two oils The Artist's Studio y062 and The Artist in his Studio (Whistler in his Studio) y063, for a group portrait that was never completed.
It is possible that the note on the verso, 'Whistler/ Green gold' (written in an unknown hand) related to a proposed frame. At the Dowdeswell exhibitions of 1884 and 1886, Whistler chose frames in several shades of gold to match the works on show.
None known in Whistler's lifetime.
1: Whistler to Fantin-Latour, 16 August [1865], GUW#11477.