r.: Study of a seated nude for 'Variations in Blue and Green'; v.: Two seated nudes date from 1868/1870. The butterfly on the recto is a later addition dating from ca 1874.
r.: Study of a seated nude for 'Variations in Blue and Green', private collection
v.: Two seated nudes, private collection
The drawings are fully catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 348) where it is dated '1868/72'.
r.: Study of a seated nude for 'Variations in Blue and Green', private collection
v.: Two seated nudes, private collection
Variations in Blue and Green, Freer Gallery of Art
r.: Study of a seated nude for 'Variations in Blue and Green', private collection
These two drawings of the nude may show the same figure, with her hair coiled in a bun. She has not been idetified but does appear in other drawings.
r.: Study of a seated nude for 'Variations in Blue and Green', private collection
Variations in Blue and Green, Freer Gallery of Art
The drawing on the recto may be a study for Variations in Blue and Green y084.
Much of this provenance is based on the letter sent by A. E. Galletin to the Lyman Allyn Museum at the time of an exhibition in 1949: it is unsubstantiated. It is also possible that the 'Tregaskis' mentioned was another of that name, and the drawing was acquired at a later date by Gallatin.
For further details see MacDonald 1995 (cat. rais.) [more] (cat. no. 348); this record has been revised.
There is no record of an exhibition in Whistler's lifetime.