The Paintings of James McNeill Whistler

M.0843
Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander'

Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander'

Artist: James McNeill Whistler
Date: 1881
Collection: Private Collection
Accession Number: none
Medium: pen and dark brown ink
Support: off-white laid paper, printed heading 'HOGARTH CLUB, / 27, ALBEMARLE STREET. / W.'
Size: 8 15/16 x 7 1/16" (227 x 181 mm)
Signature: none
Inscription: none

Date

Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander'was drawn about 1881 to show Matthew White Ridley (1837-1888) the composition.

Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection
Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection

This is catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 843).

Images

Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection
Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection

Harmony in Grey and Green: Miss Cicely Alexander, Tate Britain
Harmony in Grey and Green: Miss Cicely Alexander, Tate Britain

Subject

Sitter

Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection
Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection

This is a sketch or memory sketch of the portrait of Cicely Henrietta Alexander (1864-1932); she would not have actually posed for the drawing.

Technique

Composition

Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection
Sketch of 'Harmony in Grey and Green: Miss Cicely Alexander', Private Collection

Harmony in Grey and Green: Miss Cicely Alexander, Tate Britain
Harmony in Grey and Green: Miss Cicely Alexander, Tate Britain

This is a sketch or memory sketch of the oil, Harmony in Grey and Green: Miss Cicely Alexander y129. It shows her with her right leg forward instead of her left.

Technique

The swirl of the hat, drawn over the stiffly starched dress with its ruffled hem, and the essence of the little girl's upright pose, is caught with economical effectivness. The jagged lines and dots of the drawing, whilc lacking precision, are taut and lively, while angular patches of shading, some overlapping, create an effect of space, flickering light and shadows.

History

Provenance

On 4 November 1906 Mrs Marzetti wrote to her uncle, Pickford Robert Waller (1849-1930), that she treasured 'a little pen & ink sketch of his portrait of Miss Alexander, which he made for Mr. Ridley one night at the Hogarth Club & signed with the butterfly.' 1 But although he may have made it 'for' Matthew White Ridley (1837-1888), it was not, apparently, given to him.

Exhibitions

Not exhibited in Whistler's lifetime.

Bibliography

Catalogues Raisonnés


Notes:

1: Letter in Metropolitan Museum of Art.