
Study for 'The Beggars' is signed and dated 18 September 1881. It is related to an etching, The Beggars [190], which was started in Venice in 1879. Whistler had printed impressions for The Fine Art Society right through 1881 (he delivered five impressions on 16 February 1881, thirteen on 6 April, four on 25 August). 1

Study for 'The Beggars', photograph, LC PC
Catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 864).

Study for 'The Beggars', photograph, LC PC

The Beggars - Winter, Freer Gallery of Art

Study for 'The Beggars' , photograph, LC PC
Study for 'The Beggars' (K194) is related to an etching, The Beggars [190], which represented a courtyard off the Campo Santa Margherita, on the Calle San Barnaba, Venice. Whistler may have taken the drawing with him to Selsey Bill in Surrey (not Selsea) on the south coast of England or worked on it there.

Study for 'The Beggars' , photograph, LC PC

The Beggars - Winter, Freer Gallery of Art
This is one of two drawings, Study for 'The Beggars' and The Beggars - Winter m0727, related to an etching, The Beggars [190], which was started in Venice in 1879, but was radically changed during printing both in Venice and back in London.
It is possible this was drawn about the same time as Doorway in Ajaccio m1690, which may also have been owned by Hutchinson.
It was not exhibited in Whistler's lifetime.
SALE:
1: Whistler Etchings Catalogue Raisonné[more]Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, website (cat. no. 190).