Snow dates from Whistler's visit to Amsterdam in November/December 1882.
Snow, private collection
The technique and the butterfly signature help to confirm the date.
Snow, private collection
Snow, private collection
Only one title is known:
In the 1995 catalogue raisonné, Amsterdam in Winter m0877 was mistakenly identified as the painting exhibited in 1883.
Snow, private collection
Whistler sat in the Café de Beurs, next to the gatefouse known as the Beurspoortje, looking out over the Rokin (a canal, which was later filled in) towards the building that housed the society Arti et Amicitiae. Heijbroek comments that the Café and the railing in the foreground were demolished in 1912, as was the Beurspoortje. 1
Snow, private collection
The distant buildings and those at right are slightly blurred and misty, blending with the washes of the sky (where Whistler used opaque white as well as thin washes of warm greys). Details were painted with economical, expressive brushstrokes, with a fine pointed brush, leaving large areas of paper bare to convey the effect of snow. The active little figures walk with legs well apart, trying not to slip!
The edges of the paper, originally covered by the mount, are slightly browned.
It is of similar date to Amsterdam in Winter m0877 and it was originally thought that picture was the one exhibited in New York.
1: Heijbroek 1997 [more], p. 53.
2: Record of account, sent by E. G. Kennedy to Whistler, [January 1884], GUW #07152.