Mother and child reclining was originally intended as a lithograph, which may have been drawn in Paris in late October or early November 1891. 1 It is dated by comparison with the several drawings and lithographs including Mother and Child, No. 3 c052, Mother and Child, No. 2 c053 and Mother and Child, No. 4 c054. However, the pen drawing may have been done later (Whistler used purple ink during the period 1892-1894).
Mother and child reclining, The Hunterian
It is catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1305) dated '1890/1894'.
Mother and child reclining, The Hunterian
A woman and a baby asleep on a sofa, The Hunterian
Mother and child reclining, The Hunterian
Possibly Rose Amy Pettigrew (1872-1958) and her niece.
Mother and child reclining, The Hunterian
A woman and a baby asleep on a sofa, The Hunterian
It was, like A woman and a baby asleep on a sofa m1304, drawn on thin transparent transfer paper prepared by Henri Belfond (fl. 1891-1894) of the Imprimerie Belfond & Cie, with gum coating on the side intended for a drawing in lithographic crayon. By mistake, Whistler drew on the un-gummed side, and as a result the crayon drawing could not be transferred to stone and printed. Instead, as Spink et al point out, he carefully drew over the composition in pen and ink, probably on the gummed side, although due to the transparency of the paper this is hard to establish.. 2 Not all the lines of the original crayon drawing were redrawn in ink: her hands and torso, and to left of her feet, there are several faint crayon lines visible, but not redrawn.
It was not, as far as is known, exhibited in Whistler's lifetime.
1: Spink 1998 [more], vol. 1, p. 503 (cat. no. VI).
2: Spink 1998 [more], vol. 1, p. 503.