Modèle nu, debout, passant une robe was originally intended as a lithograph, and was probably drawn in Paris in late October or early November 1891. It is dated from the technique and comparison with a similar but successful lithograph, Draped Figure, Standing c046. 1
Modèle nu, debout, passant une robe, The Hunterian
However, it is possible that the pen drawing was added some time after the crayon drawing was rejected for lithographic transfer.
It is catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1306) dated '1890/1894'.
Modèle nu, debout, passant une robe, The Hunterian
It has been suggested that this was a model nicknamed 'Tootsie' (name unknown) (fl. 1900) and that she may have been, in fact, the young Carmen Rossi (b. ca 1878. 2 'Tootsie' was so named by Rosalind Birnie Philip (1873-1958), writing on a watercolour, The Pink Cap m1308, and on an impression of the lithograph Draped Figure, Standing c046.
Modèle nu, debout, passant une robe, The Hunterian
The image is 236 x 135 mm, or 291 x 204 mm including registration marks and trials of the crayon. It was drawn on papier végétal prepared by the lithographic printer Henri Belfond (fl. 1891-1894) with gum coating on the side intended for a drawing in lithographic crayon. Whistler may have planned for it to be printed as a colour lithograph (hence the registration marks). By mistake, he drew on the un-gummed side, so the crayon drawing could not be transferred to stone and printed. Instead, he carefully drew over the composition in pen and ink. However, it is not absolutely certain (because of the extreme thinness of the paper) that the crayon drawing was on one side and the pen on the other. 3
It was not, as far as is known, exhibited in Whistler's lifetime.
1: Spink 1998 [more], vol. 1, pp. 174 (cat. no. 46) and 502 (cat. no. II).
2: Spink 1998 [more], pp. 174, 502.
3: Spink 1998 [more], vol. 1, p. 502 (cat. no. II).