The Paintings of James McNeill Whistler

M.1331
Design for a poster for 'Nocturnes, Marines and Chevalet Pieces'

Design for a poster for 'Nocturnes, Marines and Chevalet Pieces'

Artist: James McNeill Whistler
Date: 1892
Collection: Freer Gallery of Art, Washington, DC
Accession Number: FGA 88
Medium: pen and black ink
Support: cream laid paper, watermark of coronet over 'CL/ ORIGINAL DELTA/ FINE', f.s.
Size: 8 11/16 x 6 13/16" (220 x 173 mm)
Signature: 'J McN Whistler' on letter
Inscription: 'Poster', see SUBJECT/ Description

Date

Design for a poster for 'Nocturnes, Marines and Chevalet Pieces' was drawn in a letter from Whistler to Thomas Way (1837-1915), dated 6 March 1892. 1

Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art
Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art

It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1331).

Images

Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art
Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art

Subject

Description

Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art
Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art

The wording within the poster reads 'Mr.Whistler/ Goupil Galleries'. The relevant text in the letter reads:

'Poster. You will understand the corrections - Would like the whole thing to look whiter- that is more brought together- or rather larger margin -

- top/ to look' [poster with text 'Mr.Whistler/ Goupil Galleries'] 'like this -

- bottom

No stops or commas.' 2

Technique

Composition

Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art
Design for a poster for 'Nocturnes, Marines and Chevalet Pieces', Freer Gallery of Art

This design was for a poster for Whistler's retrospective exhibition, Nocturnes, Marines & Chevalet Pieces, Goupil Gallery, London, 1892.

Conservation History

This letter is on what are now two sheets of paper, repaired with gauze, but was originally one folded sheet (the watermark runs across both sheets), with traces of three additional folds across the sheet, one through and two below the butterfly. The paper is now a dark shade of cream.

History

Provenance

Exhibitions

It was not exhibited in Whistler's lifetime.

Bibliography

Catalogues Raisonnés

Websites


Notes:

1: [6 March 1892], GUW #03414.

2: GUW #03414 (where 'whiter' is mistranscribed 'Whistler'.