The Paintings of James McNeill Whistler

M.1337
r. and v.: Study for a proposed portrait of the Duke Marlborough

r. and v.: Study for a proposed portrait of the Duke Marlborough

Artist: James McNeill Whistler
Date: 1892
Collection: The Hunterian, University of Glasgow
Accession Number: GLAHA 46169
Medium: pen and dark brown ink
Support: off-white wove paper
Size: 6 x 3 13/16" (152 x 97 mm)
Signature: none
Inscription: v.: 'Study for a proposed portrait of the Duke of Marlborough', written by Harold Wright

Date

r. and v.: Study for a proposed portrait of the Duke Marlborough probably dates from some time between April and September 1892. George Charles Spencer-Churchill (1844-1892), 8th Duke of Marlborough commissioned 'state' portraits of himself and his wife, Lillian Warren Spencer-Churchill (1854-1909), Duchess of Marlborough. The Duke suggested sittings in May 1892 in London, but arrangements for sittings seem to have lapsed thereafter. 1 Whistler was invited to Blenheim in September but this visit was probably cancelled. The Duke died on 9 November 1892.

r.:  Study for a proposed portrait of the Duke Marlborough, The Hunterian
r.: Study for a proposed portrait of the Duke Marlborough, The Hunterian

It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1337).

Images

r.: Study for a proposed portrait of the Duke Marlborough, The Hunterian
r.: Study for a proposed portrait of the Duke Marlborough, The Hunterian

Verso, Study for a proposed portrait of the Duke Marlborough, not reproduced.

Subject

Sitter

r.:  Study for a proposed portrait of the Duke Marlborough, The Hunterian
r.: Study for a proposed portrait of the Duke Marlborough, The Hunterian

This is a study for a portrait of George Charles Spencer-Churchill (1844-1892), 8th Duke of Marlborough, but it is likely the Duke did not actually pose for it.

Technique

Composition

r. Study for a proposed portrait of the Duke Marlborough, The Hunterian
r. Study for a proposed portrait of the Duke Marlborough, The Hunterian

This is a study for a portrait that, as far as is known, was never started.

Technique

The figure was drawn with broken lines, and a guiding line through the centre of his face.

Conservation History

The drawing was torn from a larger sheet, on the left side, and has a slight regular horizontal grain.

History

Provenance

Exhibitions

It was not exhibited in Whistler's lifetime.

Bibliography

Catalogues Raisonnés

Websites


Notes:

1: 19 April 1892, GUW #08319.