The Paintings of James McNeill Whistler

M.1343
A frame and five paintings

A frame and five paintings

Artist: James McNeill Whistler
Date: 1892
Collection: Glasgow University Library
Accession Number: MS Whistler B36
Medium: pen and black ink
Support: off-white wove paper with watermark 'Marchais'
Size: 12 3/16 x 8 1/4" (310 x 210 mm)
Signature: none
Inscription: draft letter from Whistler to Paul von Hatzfeld-Wildenburg

Date

A frame and five paintings was probably drawn in January 1892, on a sheet containing a draft letter from Whistler to Count Paul von Hatzfeldt-Wildenburg (1831-1901), German ambassador to Britain, and other drafts, unrelated to the drawing. 1

A frame and five paintings, Glasgow University Library
A frame and five paintings, Glasgow University Library

It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1343). The entry has been amended.

Images

A frame and five paintings, Glasgow University Library
A frame and five paintings, Glasgow University Library

Nocturne: Grey and Gold - Westminster Bridge, Glasgow Museums, Burrell Collection
Nocturne: Grey and Gold - Westminster Bridge, Glasgow Museums, Burrell Collection

Nocturne: Blue and Gold - St Mark's, Venice, National  Museum of Wales
Nocturne: Blue and Gold - St Mark's, Venice, National Museum of Wales

Subject

Description

A frame and five paintings, Glasgow University Library
A frame and five paintings, Glasgow University Library

This includes a design for an elaborate frame for a painting or a mirror, and several paintings, including Nocturne: Grey and Gold - Westminster Bridge y145.

At the end of the letter is a drawing of a gallery interior, possibly a plan of Nocturnes, Marines & Chevalet Pieces, Goupil Gallery, London, 1892, in which this oil was hung.

Technique

Composition

A frame and five paintings, Glasgow University Library
A frame and five paintings, Glasgow University Library

Nocturne: Grey and Gold - Westminster Bridge, Glasgow Museums, Burrell Collection
Nocturne: Grey and Gold - Westminster Bridge, Glasgow Museums, Burrell Collection

Nocturne: Blue and Gold - St Mark's, Venice, National  Museum of Wales
Nocturne: Blue and Gold - St Mark's, Venice, National Museum of Wales

The paintings include Nocturne: Grey and Gold - Westminster Bridge y145 at the top of the sheet, and just possibly Nocturne: Blue and Gold - St Mark's, Venice y213 at the bottom (if Whistler was being very inaccurate!).

The Nocturne in the centre could possibly have been Nocturne y153, shown in VI. Internationale Kunst-Ausstellung, Königlicher Glaspalast, Munich, 1892, or Nocturne: Blue and Silver - Battersea Reach y152, which, like the other two paintings, was shown in Nocturnes, Marines & Chevalet Pieces, Goupil Gallery, London, 1892.

Conservation History

The paper was folded into eight. It is browned at the bottom and right hand edges. There are small tears and paper losses down the right side.

History

Provenance

Bibliography

Catalogues Raisonnés

Websites


Notes:

1: [20/30 January 1892], GUW #00261.