The Paintings of James McNeill Whistler

M.1377
A woman holding a black fan

A woman holding a black fan

Artist: James McNeill Whistler
Date: 1893
Collection: The Hunterian, University of Glasgow
Accession Number: GLAHA 46184
Medium: chalk and pastel
Support: brown wove paper laid down on card
Size: 274 x 180 mm (10 3/4 x 7 1/16")
Signature: butterfly
Inscription: none

Date

A woman holding a black fan dates from about 1893.

A woman holding a black fan, The Hunterian, University of Glasgow
A woman holding a black fan, The Hunterian, University of Glasgow

It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1377).

Images

A woman holding a black fan, The Hunterian, University of Glasgow
A woman holding a black fan, The Hunterian, University of Glasgow

The Dancing Girl, National Gallery of Art, Washington, DC (acc. no. 1943.3.8690)
The Dancing Girl, National Gallery of Art, Washington, DC (acc. no. 1943.3.8690)

Subject

Sitter

A woman holding a black fan, The Hunterian, University of Glasgow
A woman holding a black fan, The Hunterian, University of Glasgow

The model has not been identified.

Technique

Composition

A woman holding a black fan, The Hunterian
A woman holding a black fan, The Hunterian

The Dancing Girl, National Gallery of Art, Washington, DC (acc. no. 1943.3.8690)
The Dancing Girl, National Gallery of Art, Washington, DC (acc. no. 1943.3.8690)

The figure is similar to that in the 1889 lithograph The Dancing Girl c029, but is not a study for that print.

Technique

A woman holding a black fan, The Hunterian
A woman holding a black fan, The Hunterian

The use of line is similar to that seen in lithographs, particularly in the flow of the drapery. The blurring of the outline of the figure by short diagonal lines is curious. There are signs of pentimenti, showing that the shoulder was originally higher, and the skirt may have been lower.

It seems either to have been radically altered, or to have been drawn over another drawing. There are faint vertical lines and touches of grey, light red and orange to right of the body, and lines below and to left of the skirt, which seem unrelated to the main drawing. The original figure would have been on a larger scale.

Conservation History

The paper, a lightish brown, fibrous, has tiny wood flecks and a slight chequered grain.

History

Provenance

Exhibitions

As far as is known, it was not exhibited in Whistler's lifetime.

By the terms of Miss Birnie Philip's Gift, this work cannot be lent to another venue.

Bibliography

Catalogues Raisonnés

Books on Whistler

Websites


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