Sketch of 'Harmony in Blue and Gold: The Little Blue Girl' was drawn on the verso of an unrelated draft letter bearing the address of William Dickinson, a dealer in jewellery in London, dated 11 December 1893.
Sketch of 'Harmony in Blue and Gold: The Little Blue Girl', Private Collection
It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1378).
Sketch of 'Harmony in Blue and Gold: The Little Blue Girl', Private Collection
Harmony in Blue and Gold: The Little Blue Girl, Freer Gallery of Art
Sketch of 'Harmony in Blue and Gold: The Little Blue Girl', Private Collection
Eva Victoria Carrington (1887-1979) was posing for the painting by 1901, but the identity of earlier models is not known.
Sketch of 'Harmony in Blue and Gold: The Little Blue Girl', Private Collection
Harmony in Blue and Gold: The Little Blue Girl, Freer Gallery of Art
This is a drawing after Harmony in Blue and Gold: The Little Blue Girl y421 which Whistler worked on from 1894 on. It might have been done to show someone the composition rather than as a study for it, or it may represent a stage in the developement in the painting. It differs from the painting in omitting a vase of flowers in front and a screen behind the sofa, and the model looks less angular.
It was drawn on what appears to be wove paper, now laid down, and slightly browned.
The early history of the sheet is unknown.
It was not exhibited in Whistler's lifetime.