The Paintings of James McNeill Whistler

M.1397
Spring

Spring

Artist: James McNeill Whistler
Date: 1894/1895
Collection: Daniel J. Terra Collection, Terra Foundation for American Art
Accession Number: 1996.91
Medium: chalk and pastel
Support: brown wove paper
Size: 10 13/16 x 7 1/8" (275 x 181 mm)
Signature: butterfly
Inscription: none

Date

Spring probably dates from 1894/1895. The subject was suggested to Whistler by Charles Lang Freer (1856-1919) on 2 August 1894. 1

Spring, Terra Foundation for the Art
Spring, Terra Foundation for the Art

It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1397). The record has been updated.

Images

Spring, Terra Foundation for the Art
Spring, Terra Foundation for the Art

Subject

Site

Spring, Terra Foundation for the Art
Spring, Terra Foundation for the Art

Details, like the turquoise arbour and the flower pot, suggest this is the garden at 100 Rue du Bac, Paris, but it is unlikely the model posed outside. Designs for the stand are seen in r. and v.: Designs for a flower stand m1399, and a similar bowl is seen in the garden, in lithographs such as La Belle Jardinière c101.

Sitter

Spring, Terra Foundation for the Art
Spring, Terra Foundation for the Art

Not identified.

Technique

Composition

The subject, a figure 'to, in a way, hint at Spring' – a small pastel or larger oil – was suggested to Whistler by Charles Lang Freer (1856-1919) on 2 August 1894. 2

Technique

Spring, Terra Foundation for the Art
Spring, Terra Foundation for the Art

The soft, loose outlines and soft focus details are sharpened up by the colour, and also varied with a perky, jagged line on the flowers.

Conservation History

The paper is an orangey reddish brown, fibrous, and with a fine vertical grain.

History

Provenance

See further details in MacDonald 1995 (cat. rais.) [more] (cat. no. 1397).

Exhibitions

Bibliography

Catalogues Raisonnés

Catalogues 1855-1905

Catalogues 1906-Present

EXHIBITION:

SALE:

Journals 1906-Present

Websites


Notes:

1: #01507. Pyne suggests that it was bought in 1891 but the signature, details and setting suggest the later date (Pyne, Kathleen, ' "Classical Figures", A Folding Screen by Thomas Dewing', The Bulletin of the Detroit Institute of Arts, vol. 59, no. 1, Spring 1981, pp. 4-15, at pp. 6-7).

2: #01507.