Skull and crossbones dates from the autumn of 1896 and was given to William Heinemann (1863-1920), whose address is on the notepaper.
Skull and crossbones (b), Library of Congress
It is catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1481).
Skull and crossbones (b), Library of Congress
Title page for 'A Book of Scoundrels' by Charles Whibley , Library of Congress
Skull and crossbones (a), Library of Congress
Proofs of Skull and crossbones, Library of Congress
Skull and crossbones (b), Library of Congress
A skull and cross bones within a circular cartouche, signed with a butterfly.
Skull and crossbones (b), Library of Congress
Proofs of Skull and crossbones, Library of Congress
Title page for 'A Book of Scoundrels' by Charles Whibley , Library of Congress
Whistler designed the skull and crossbones motif for the title page of A Book of Scoundrels by Charles Whibley (1859-1930), published by William Heinemann (1863-1920) in London in 1896. It was used in pamphlets and press advertising Whibley's book. A press review of Whistler's book design reads: 'Much the same sort of triumph over difficulties is achieved by the title page vignette: a skull and cross-bones, with a cynically smiling mouth "shadow-grammed" over the teeth.' 1
Skull and crossbones (a), Library of Congress
Skull and crossbones (b), Library of Congress
Skull and crossbones m1480 is the first of two designs, and is unsigned; the second, Skull and crossbones m1481 is similar in design and paper, and signed with the butterfly.
See MacDonald 1995 (cat. rais.) [more] (cat. no. 1480-1481).
It was not exhibited in Whistler's lifetime.
SALE:
1: Advertisement and press-cutting in Pickford Waller's Presscutting Album, p. 79, Metropolitan Museum of Art.