The Paintings of James McNeill Whistler

M.1526
r.: A woman in a blue robe seated on a sofa; v.: Illegible

r.: A woman in a blue robe seated on a sofa; v.: Illegible

Artist: James McNeill Whistler
Date: 1898
Collection: The Hunterian, University of Glasgow
Accession Number: GLAHA 46268
Medium: chalk, charcoal and pastel
Support: brown wove paper laid down on card
Size: 11 1/4 x 7 1/8" (278 x 181 mm)
Signature: butterfly
Inscription: none

Date

r.: A woman in a blue robe seated on a sofa; v.: Illegible dates from about 1898.

r.: A woman in a blue robe seated on a sofa, The Hunterian
r.: A woman in a blue robe seated on a sofa, The Hunterian

It is fully catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1526).

Images

r.: A woman in a blue robe seated on a sofa, The Hunterian
r.: A woman in a blue robe seated on a sofa, The Hunterian

Verso not reproduced.

Subject

Sitter

r.: A woman in a blue robe seated on a sofa, The Hunterian
r.: A woman in a blue robe seated on a sofa, The Hunterian

R. B. Philip noted the model as Ethel Warwick (1882-1951) but later suggested it was Eva Victoria Carrington (1887-1979). 1

Technique

Technique

r.: A woman in a blue robe seated on a sofa, The Hunterian
r.: A woman in a blue robe seated on a sofa, The Hunterian

The drawing, in particular the lines of drapery, is confused by another drawing underneath. There are considerable signs of rubbing and scraping out including the scraping out of a head, from the earlier drawing, below the centre at left. This earlier drawing showed a girl with a turquoise cap seated on a sofa that was draped with some material of a bright brick red. Pink and flesh colour tinted her body and draperies. This was another variation on the theme of the Carrington girls on the sofa (such as The Green Cap m1527), and dated from the same period.

Conservation History

The paper is a dark greyish brown, darkened at the top under the old mount. It has small fibres and flecks of wood-stalk and some black spots, and a fine, faint, vertical grain. There are faint traces of a drawing on the verso.

History

Provenance

Exhibitions

As far as is known, it was not exhibited in Whistler's lifetime.

By the terms of Miss Philip's gift, this work cannot be exhibited in another venue.

Bibliography

Catalogues Raisonnés

Websites


Notes:

1: GUL MS Whistler NB3, pp. 15-16.