Portrait of Whistler probably dates from 1898/1900, but could date from earlier.
It is drawn on the verso of the draft of a letter to a newspaper editor, possibly dating from May 1898. 1
Portrait of Whistler, Library of Congress
It is related to Whistler's appearance in Gold and Brown y462, which is dated 1896/1898 and was exhibited in the Exhibition of International Art, International Society of Sculptors, Painters and Gravers, Knightsbridge, London, 1898.
The drawing was owned by Carmen Rossi (b. ca 1878 who modelled for Whistler from 1894 on, and was proprietess of the Académie Carmen 1898-1901.
The drawing is catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1533) dated 1898/1900.
Portrait of Whistler, Library of Congress
Gold and Brown, National Gallery of Art, DC.
Portrait of Whistler, Library of Congress
James McNeill Whistler (1834-1903).
Portrait of Whistler, Library of Congress
Gold and Brown, National Gallery of Art, DC.
This drawing is closely related to the self-portrait in oil, Gold and Brown y462. It is not certain if this is a drawing for, or of the oil, or a self-portrait in its own right, since it does not precisely reflect the appearance of Whistler in Gold and Brown. 2
It is possible that when Gold and Brown was shown at the ISSPG in 1898, and Whistler had considered making a drawing of it for reproduction in the catalogue. 3 This might account for the vivid detail of the drawing but not for certain inaccuracies. In the painting the coat is unbuttoned, and his right hand in a waistcoat pocket. In the drawing, but not in the oil, Whistler is shown wearing an overcoat, with its collar turned up, over his shoulder.
The final possibility is that it is a drawing from life, but reflects Whistler's appearance about the time that the oil portrait was completed around 1898.
Portrait of Whistler, Library of Congress
A tangle of vigorous crosshatching, reinforced by monochrome washes, blends the figure with the background. Whistler washed and scraped out an area down the right side of the face and left, over the cheek, and redrew it. This suggests he was concerned with the precise details of his appearance, in the drawing, or of its correspondence with the painting.
There is a rough edge at the bottom of the sheet.
For further details see MacDonald 1995 (cat. rais.) [more] (cat. no. 1527).
EXHIBITION:
SALE:
1: The partial (torn) draft reads: '[Whis]tler's acknowledgements // ... [Dai]ly Mail - / ...[par]alised with gratitude / ... [a]t the delicacy and kind / ... you chew the food you / ... Readers - Of course you / …Pray receive my compliments J. McNeill Whistler.' GUW #09607. However, it is possible that the draft dates from earlier or later. It is possible, for instance, that it dates from 10 April 1897, when Whistler sent E. G. Kennedy a cutting from the Daily Mail (GUW #09762).
2: In 1905 Pennell stated that this was a study for Brown and Gold y440. In 1908 the Pennells also said it was a study for 'Brown and Gold'. Writing even later (1921) but describing a visit from Whistler on 10 May 1900, the Pennells said that Whistler was dissatisfied with a three-quarter length self-portrait, 'The painting has disappeared but he made the drawing of it.' Memorial Exhibition of the Works of the late James McNeill Whistler, First President of The International Society of Sculptors, Painters and Gravers, New Gallery, Regent Street, London, 1905 (cat. no. 181); Pennell 1908 [more], vol. 2, repr. f.p. 202; Pennell 1921C [more], pp. 40, 243-44, repr. f.p. 40.
3: Young, A. McLaren, James McNeill Whistler, Arts Council Gallery, London, and Knoedler Galleries, New York, 1960 (cat. no. 462).
4: See Athenaeum, 5 December 1903 [more].