r.: Butterfly; v.: Butterflies were drawn in 1899 as illustrations for Whistler 1899 (F)[more].
r.: Butterfly, Glasgow University Library
v.: Butterflies, Glasgow University Library
The sheet catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1552).
r.: Butterfly, Glasgow University Library
v.: Butterflies, Glasgow University Library
Butterfly, Eden versus Whistler: The Baronet and the Butterfly, p. iv, Glasgow University Library
r.: Butterfly, Glasgow University Library
v.: Butterflies, Glasgow University Library
A butterfly facing front and slightly to right, with long antennae and a long bouncy barbed tail at left. The butterflies on the verso - only partial, since the paper has been torn - were crossed out.
In 1894 William Eden (1849-1915) commissioned a portrait of his wife Sybil Frances Grey, Lady Eden (1867-1945). Whistler, dissatisfied with the amount (100gns) and manner of payment, retained and altered the portrait (Brown and Gold: Portrait of Lady Eden y408). After an appeal, in December 1897, the Court de Cassation let him retain the portrait but return the money. Whistler was well satisfied to see the Code Napoléon altered, to specify an artist's right to decide the fate of his works.
Whistler planned to publish an account of the affair, a compilation of letters, newspaper reports and legal documents, with William Heinemann (1863-1920), who had published the Gentle Art of Making Enemies in 1890. There was some problem with publishing in London, and, with Heinemann’s tacit agreement, Louis-Henry May in Paris took over the publication. A first proof was run off, using mainly butterflies originally drawn for the Gentle Art of Making Enemies. These butterflies were mostly replaced by new ones, in a second proof. There are at least two versions of some of the designs. They were slightly reduced in size in the final publication.
For the book, Whistler designed 15 butterflies, a club (A club on a cushion m1564), and a frog (Frog m1553). He also drew some butterflies which were not used (v.: Butterfly; r.: see No. 1268 m1572, Butterfly with chequered wings m1578, r.: Butterfly; v.: Butterfly with chequered wings m1579). The Baronet and the Butterfly was comparatively sparing of butterflies. Many marginal annotations, which in the Gentle Art of Making Enemies would have warranted a butterfly, did not get one. Some of the butterflies were very badly reproduced (r. and v.: Butterfly m1561, r.: Butterfly 'Encountered'; v.: Butterfly m1562). There were obviously publication problems, and it was not an entirely satisfactory venture. However, Whistler did not admit of criticism and seems, publicly, to have been entirely satisfied with the outcome.
r.: Butterfly, Glasgow University Library
Butterfly, Eden versus Whistler: The Baronet and the Butterfly, p. iv, Glasgow University Library
The butterfly, designed for publication in Whistler 1899 (F)[more], p. iv, completes the summary of the subject of the book.
It was drawn in pencil, pen and black ink. A sputtery pen nib and soft paper led to irregularities in the lines. The design looked jaunty and effective in the book. The fragmentary drawings on the verso were smudged, crossed out and not used.
This is one of several drawings inset into sheets before being bound into a copy of the The Baronet and the Butterfly. r.: Butterfly; v.: Butterflies m1552 and r.: Butterfly and tricolour flag; v.: Two butterflies and part of a third m1556 are halves of the same sheet of paper, with half of one one crossed out butterfly on each.
The early provenance is unknown.
It was not, as far as is known, exhibited in Whistler's lifetime.