Sketch for the Portrait of Carlyle (2) dates from between 1872 and 1873. 1
Sketch for the Portrait of Carlyle (2), private collection
It is dated from its relationship to the completed portrait, Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle y137.
Sketch for the Portrait of Carlyle (2), Private collection
Sketch for the Portrait of Carlyle (2), photograph, n.d.
Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle, Glasgow Museums
The numbering of the preferred title, 'Sketch for the Portrait of Carlyle (2)', was given to distinguish it from Sketch for the Portrait of Carlyle (1) y133.
Sketch for the Portrait of Carlyle (2), private collection
A portrait in vertical format, showing an elderly man sitting in profile to left. He has grey hair and a grey beard. He wears a black greatcoat and balances a black hat on his knee. There are framed pictures on the grey wall behind and to left of him, above the black dado.
Whistler's studio in Lindsey Row, Chelsea.
Thomas Carlyle (1795-1881).
Like Sketch for the Portrait of Carlyle (1) y133, this sketch for the portrait of Thomas Carlyle (Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle y137) may be partly from the hand of Walter Greaves (1846-1930). It may have been started by Whistler but the head is not like his usual work.
Sketch for the Portrait of Carlyle (2), Private collection
Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle, Glasgow Museums
The canvas is narrower in proportion to its width than the finished portrait, Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle y137. Both the paintings in the background of Sketch for the Portrait of Carlyle (2) y134 were originally much taller than those in Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle, although the lower one has been partly painted out. Further differences between this sketch and Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle are that in the sketch Carlyle's hat appears to have a square crown, and that the shadow and dado behind the figure come right down to the coat and the chair legs.
Sketch for the Portrait of Carlyle (2), private collection
Sketch for the Portrait of Carlyle (2) y134 is painted over a dark brown ground, except for areas of pale blue to the left of the hat and at the top of the canvas, and some pink paint under the lower picture frame – suggesting that it, like Sketch for the Portrait of Carlyle (1) y133, was painted over an earlier composition.
Unknown.
The provenance is obscure, and dubious. Both O'Malley and Ellis (see Young woman in a white dress y126b) were involved with works that may have been by Walter Greaves, and which were acquired by Messrs Dowdeswell in 1910.
It was not exhibited in Whistler's lifetime.
Portraits of Carlyle by others:
1: YMSM 1980 [more] ( cat. no. 134).
2: YMSM 1980 [more] (cat. no. 134).