The Paintings of James McNeill Whistler

YMSM 148
Nocturne in Blue and Silver

Nocturne in Blue and Silver

Artist: James McNeill Whistler
Date: 1871/1879
Collection: Whereabouts Unknown
Accession Number: none
Medium: oil
Support: probably canvas
Size: unknown
Signature: unknown
Inscription: unknown
Frame: unknown

Date

A Nocturne in Blue and Silver, probably dating from between 1871 and 1879, may have been exhibited at the International and Universal Exhibition, Crystal Palace, London, 1884. 1

Nocturne: The Solent, Gilcrease Institute of American History and Art
Nocturne: The Solent, Gilcrease Institute of American History and Art

Nocturne: Blue and Silver – Bognor, Freer Gallery of Art
Nocturne: Blue and Silver – Bognor, Freer Gallery of Art

Nocturne: Blue and Silver – Cremorne Lights, Tate
Nocturne: Blue and Silver – Cremorne Lights, Tate

Nocturne: Blue and Silver – Battersea Reach, Freer Gallery of Art
Nocturne: Blue and Silver – Battersea Reach, Freer Gallery of Art

Nocturne: Blue and Silver – Battersea Reach, Isabella Stewart Gardner Museum
Nocturne: Blue and Silver – Battersea Reach, Isabella Stewart Gardner Museum

A surprising number of Whistler's nocturnes dating from between 1871 and 1879, several of which could have been described as 'nocturne in blue and silver' (although their titles varied over time), could have been available for exhibition in 1884. Whistler owned some outright, or had deposited them as security for loans. Some were owned by tolerant collectors, and some have simply not been identified. Those possibly available include: Nocturne: Blue and Silver - Bognor y100, Nocturne: Blue and Silver - Chelsea y103, Nocturne: Blue and Silver - Cremorne Lights y115, Nocturne: Blue and Gold - Southampton Water y117, Nocturne in Blue and Silver y118, Nocturne: Blue and Silver - Battersea Reach y119, Nocturne: Battersea y120, Nocturne in Blue and Silver y151, and Nocturne: Blue and Silver - Battersea Reach y152.

Nocturne: Blue and Silver – Chelsea, Tate
Nocturne: Blue and Silver – Chelsea, Tate

Nocturne: Blue and Gold – Southampton Water, Art Institute of Chicago
Nocturne: Blue and Gold – Southampton Water, Art Institute of Chicago

Nocturne in Blue and Silver, Yale Center for British Art
Nocturne in Blue and Silver, Yale Center for British Art

Of these, several – Nocturne: Blue and Silver - Chelsea y103, Nocturne: Blue and Gold - Southampton Water y117, Nocturne in Blue and Silver y151 – had been on exhibition at the Exposition Internationale de Peinture, Galerie George Petit, Paris, 1883, which suggests they were readily available.

Images

Nocturne in Blue and Silver, Whereabouts unknown
Nocturne in Blue and Silver, Whereabouts unknown

Nocturne: The Solent, Gilcrease Institute of American History and Art
Nocturne: The Solent, Gilcrease Institute of American History and Art

Nocturne: Blue and Silver - Bognor, Freer Gallery of Art
Nocturne: Blue and Silver - Bognor, Freer Gallery of Art

Nocturne: Blue and Silver - Chelsea, Tate
Nocturne: Blue and Silver - Chelsea, Tate

Nocturne: Blue and Silver – Cremorne Lights, Tate
Nocturne: Blue and Silver – Cremorne Lights, Tate

Nocturne: Blue and Gold - Southampton Water, Art Institute of Chicago
Nocturne: Blue and Gold - Southampton Water, Art Institute of Chicago

Nocturne: Blue and Silver – Battersea Reach, Freer Gallery of Art
Nocturne: Blue and Silver – Battersea Reach, Freer Gallery of Art

Nocturne in Blue and Silver, Yale Center for British Art
Nocturne in Blue and Silver, Yale Center for British Art

Nocturne: Blue and Silver - Battersea Reach, Isabella Stewart Gardner Museum
Nocturne: Blue and Silver - Battersea Reach, Isabella Stewart Gardner Museum

Subject

Titles

Only one title is known:

Description

A night scene. It is more than possible that this was a known Nocturne, but without further description or details it is impossible to identify it.

Site

Unknown, possibly showing the river Thames.

Technique

Technique

Unknown.

Conservation History

Unknown.

Frame

Unknown.

History

Provenance

Unknown.

Exhibitions

In May 1884 Whistler hurriedly tried to obtain paintings, including Arrangement in Brown and Black: Portrait of Miss Rosa Corder y203, to submit to the International and Universal Exhibition, Crystal Palace, London, 1884. 3 According to the Manchester Guardian, Whistler's exhibits in an 1884 exhibition, possibly the Crystal Palace exhibition, included a 'Nocturne in blue and silver'. 4

Bibliography

Catalogues Raisonnés

Authored by Whistler

Catalogues 1855-1905

Newspapers 1855-1905

Journals 1855-1905

Monographs

Books on Whistler

Books, General

Catalogues 1906-Present

Journals 1906-Present

Websites

Unpublished

Other


Notes:

1: Manchester Guardian, Manchester, 22 May 1884, in GUL Whistler PC 6, p. 52.

2: WManchester Guardian, 22 May 1884 [more].

3: Whistler to T. Duret, [May 1884], GUW #09641.

4: Anon., ‘The International Exhibition at the Crystal Palace’, The Manchester Guardian, Manchester, 22 May 1884, p. 8; also preserved as a press cutting in GUL Whistler PC 6, p. 52.