
Portrait Sketch of a Lady dates from the late 1870s. 1

Portrait Sketch of a Lady, Freer Gallery of Art
It is dated partly on the basis of provenance (it is believed to date from the period shortly before Whistler's bankruptcy, and acquired at that time by Thomas Way (1837-1915)), and also by the technique (the thinness of the paint and 'dripping' are similar, for instance, to that seen in Arrangement in Yellow and Grey: Effie Deans y183).

Portrait Sketch of a Lady, Freer Gallery of Art

Portrait Sketch of a Lady, Freer Gallery of Art

Head of a woman, Fogg Art Museum
Only one title has been suggested:

Portrait Sketch of a Lady, Freer Gallery of Art
A head and shoulders portrait of a woman in three-quarter view to right. She has brown hair arranged in a large bun. She wears a dark coloured costume with a white collar, ruffle or scarf at the neck. She is looking downwards and may have been reading a book but the lower right corner is unfinished. The background is very dark. The canvas is in vertical format.

Head of a woman, Fogg Art Museum

Portrait Sketch of a Lady, Freer Gallery of Art
Not identified. There are tantalising similarities of pose and hairstyle between the painting and some drawings, particularly Head of a woman m0442, but these do not help identification.

Portrait Sketch of a Lady, Freer Gallery of Art
It is painted on fine weave canvas. It was painted very thinly, with areas of bare canvas at lower right, and extensive dripping of the dark paint from her hair and dress.
It was relined and resurfaced in 1923, resurfaced again in 1947, and cleaned and surfaced in 1951, according to Freer Gallery of Art files.

Portrait Sketch of a Lady, Freer Gallery of Art
Stubbs listed a frame for this portrait (05.329) but this has since been given to Caprice in Purple and Gold: The Golden Screen y060. It is now in a Grau-style frame. 3
It may have been among pictures dispersed at the time of Whistler's bankruptcy, as later described by Thomas Robert Way (1861-1913):
'the other canvasses, mostly portraits ... more or less destroyed [by Whistler] at the time of his bankruptcy before he handed them over as part of his "assets" to his creditors ... rejected by the auctioneers as unsaleable, and ... bought by a picture dealer for my father.' 4
It was not exhibited in Whistler's lifetime.
By the terms of C. L. Freer's bequest to the Freer Gallery of Art, the painting cannot be lent.
COLLECTION:
1: Dated 'mid-1870s' in YMSM 1980 [more] (cat. no. 184).
2: YMSM 1980 [more] (cat. no. 184).
3: Stubbs 1948 [more], p. 15 (05.328-29). Dr Sarah L. Parkerson Day, Report on frames, 2017; see also Horowitz 1979 [more]; and Parkerson 2007 [more].
4: Way 1912 [more], pp. 135-36.