
Nocturne of the Giudecca, Venice dates from Whistler's trip to Venice between late 1879 and 1880. 1
In 1908 the Pennells, describing works painted by Whistler in Venice in 1880, recorded that 'Mr. Brooks has told us of another, a Nocturne of the Giudecca, with shipping, on a panel, which Whistler gave to Mr. Jobbins, who thought so little of it that he painted a sketch on the back, and then sold it to Mr. Brooks, who still has it.' 2 Later (1911) the Pennells corrected this, stating that it was the American/Swiss painter Charles Stuart Forbes (1856-1926) who had said that Whistler gave the panel to Jobbins, who painted 'a sketch on the back and then sold it to Forbes, who still has it.' 3
William Henry Jobbins (1851-1893) was a Nottingham-born landscape painter. According to Henry Woods (1846-1921), quoted by Samuel Luke Fildes (1844-1927), Whistler shared a studio with Jobbins in Venice for five or six months. 4

Nocturne of the Giudecca, Venice, Whereabouts unknown

Venice, Freer Gallery of Art
One title has been suggested:
The Pennells recorded that 'Mr. Brooks has told us of ... a Nocturne of the Giudecca, with shipping, on a panel.' 6
The Giudecca is a long island south of the central islands of the city of Venice, from which it is separated by the broad Giudecca Canal. At the eastern end of the Giudecca is the island of San Giorgio dominated by the church of San Giorgio Maggiore.

Venice, Freer Gallery of Art
Whistler's pastels of the Giudecca include The Giudecca - Winter; grey and blue m0739, Venice m0802, and The Giudecca; note in flesh colour m0817. Etchings of the Giudecca canal with shipping include Shipping, Venice [217], Nocturne Shipping [206], and San Giorgio [214].
Jobbins's carefully painted, straightforward genre scenes include The Fish Market, Venice (Nottingham City Museums) and On the Zattere, Venice. 7
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In 1908 the Pennells recorded that 'Mr. Brooks has told us of ...a Nocturne of the Giudecca ... which Whistler gave to Mr. Jobbins, who... painted a sketch on the back, and then sold it to Mr. Brooks, who still has it.' 8 However, in the revised edition of their biography, in 1911, they stated that it was Charles S. Forbes who had told them that Whistler gave the panel to Jobbins, and that Jobbins painted 'a sketch on the back and then sold it to Forbes, who still has it.' 9 Unfortunately it has not been possible to confirm the provenance or locate the picture.
Unknown.
1: YMSM 1980 [more] (cat. no. 219).
2: Pennell 1908 [more], vol. 1, p. 288.
3: Pennell 1911 A [more], p. 201.
4: Fildes 1968 [more], p. 65.
5: YMSM 1980 [more] (cat. no. 219).
6: Pennell 1908 [more], vol. 1, p. 288.
7: ArtUK website at https://artuk.org; MutualArt website at https://www.mutualart.com.
8: Pennell 1908 [more], vol. 1, p. 288.
9: Pennell 1911 A [more], p. 201.