Grand Canal, Venice dates from the summer of 1880 when Whistler was in Venice. 1
The Connecticut artist Willis Seaver Adams (1842–1921), a friend of Otto Henry Bacher (1856-1909), and follower of Frank Duveneck (1848-1919), met Whistler in Venice, remembered an incident during that summer:
'Once a year, in the summer time, it is the custom of Venetians to go to the Lido . . . to see the sun rise. They leave in the evening ... make a night of it, and Whistler was one of the number. Next day he wished to make a study from our window, the approach to the Grand Canal. Leaving him for a time by himself, upon my return there was a striking study of the view on the easel, and Whistler before the easel asleep. The brushes had fallen from his grasp, and, well charged with fresh paint, were resting in his lap. As he wore white duck trousers, the effect can well be imagined.' 2
Grand Canal, Venice, Whereabouts Unknown
Sunset; red and gold – Salute, The Hunterian
Venetian scene, New Britain Museum of American Art
Salute – Sundown, The Hunterian
One title has been suggested:
According to Willis Seaver Adams (1842–1921) in Venice Whistler painted 'a study from our window, the approach to the Grand Canal.' 4
According to the landscape painter Willis Seaver Adams, it was a view from 'our window' looking towards the Grand Canal, Venice. 5
Sunset; red and gold – Salute, The Hunterian
Venetian scene, New Britain Museum of American Art
Salute – Sundown, The Hunterian
The view from or along the Riva degli Schiavoni was a favourite of Whistler's: see, for instance, several pastels, including Venetian scene m0744, Nocturne: ships and gondolas, Venice m0801, Salute - Sundown m0809, and Sunset: Venice m0813, and etchings including Salute Dawn [207], and Venice [213].
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1: Dated 1879/1880, YMSM 1980 [more] (cat. no. 221).
2: Article by Adams in the Springfield Republican, quoted in Eddy 1903 [more], p. 92.
3: YMSM 1980 [more] (cat. no. 221).
4: Article in the Springfield Republican quoted by Eddy 1903 [more], p. 92.
5: Ibid.