Portrait of M. R. Elden (3) probably dates from between 1882 and 1884. 1
1882: Whistler is known to have been working on a full-length of Matthew Robinson Elden (1839-1885) in 1882, Portrait of H. R. Eldon (1) y243, but this has not been located.
Portrait of M. R. Elden (3), Private collection
1883: According to the artist Walter Richard Sickert (1860-1942), he saw Whistler at work on a portrait of Elden. 2 Sickert dated it about 1883, and a date of 1883 or 1884 is reasonable, given the deterioration in Elden's mental health before his death in 1885.
Portrait of M. R. Elden (3), Private collection, photograph
Sketch Portrait of Walter Sickert, Hugh Lane Municipal Gallery of Modern Art, Dublin
Early titles gave the sitter's name incorrectly:
The preferred title is 'Portrait of M. R. Elden (3).' The numbering is necessary to distinguish it from other portraits of Elden.
Portrait of M. R. Elden (3), Private collection
A half-length portrait of a man in a grey jacket against a dark background, in vertical format. He has a large moustache and neat beard, and looks directly at the viewer. He lean,s with his right elbow, on a table at left.
The artist Matthew Robinson Elden (1839-1885) was a close friend and frequent visitor to Whistler's studio from about 1876 until he went mad, dying in an asylum.
Whistler painted three portraits of him, Portrait of H. R. Eldon (1) y243, Portrait of H. R. Eldon (2) y244, and the painting under discussion, Portrait of H. R. Eldon (3) y245, which is the only one extant.
His name, incorrectly spelled as 'Eldon' in earlier publications, was corrected to 'Elden' in the online Whistler Correspondence edition in 2003.
Portrait of M. R. Elden (3), Private collection
It was not finished, but just blocked in boldly with narrow angular brushstrokes.
Sketch Portrait of Walter Sickert, Hugh Lane Municipal Gallery of Modern Art, Dublin
The sketchy technique slightly resembles that in Whistler's Sketch Portrait of Walter Sickert y350, painted in 1885/1886.
Unknown.
Unknown.
According to a statement pasted on the back and signed by Walter Sickert, he sold it on 12 August 1905. Apparently some years later Pennell suggested that the picture was by Walter Greaves (1846-1930), which Sickert vigorously denied, saying that he had obtained it directly from Whistler and sold it to Hesslein. 5
It was not exhibited in Whistler's lifetime.
1: YMSM 1980 [more] (cat. no. 245).
2: Sickert, Walter, 'Where Paul and I differ', Art News, no. 14, 10 February 1910, p. 113.
3: Loan Exhibition, Macbeth Gallery, New York 1947 (cat. no. 18).
4: YMSM 1980 [more] (cat. no. 245).
5: Sickert, Walter, Letter to editor, 'The Works of Whistler', The New Age, 29 February 1912.