Arrangement in Grey: Portrait of Master Stephen Manuel dates from 1885.
It was commissioned by Sophia (Eustratius) Ionides (Mrs M. B. Manuel) (1853-1905), the wife of Miltiades Basil Manuel (1841-1907), and completed in 1885.
According to the artist Walter Richard Sickert (1860-1942), Whistler 'was not quick enough for the child, who was wearied with the number of sittings'; and Sickert begged Whistler not to 'attempt to repaint the whole picture to the boy's present condition but merely touch details. The picture is finished.' 1
Arrangement in Grey: Portrait of Master Stephen Manuel, Freer Gallery of Art
According to the sitter, Stephen Manuel (1880-1954) the final version of the portrait was painted 'in about two sittings.' 2
Arrangement in Grey: Portrait of Master Stephen Manuel, Freer Gallery of Art
Arrangement in Grey: Portrait of Master Stephen Manuel, Freer Gallery of Art
W. R. Sickert, Portrait of Stephen Manuel, etching, Freer Gallery of Art, FSC-GR-703
Only one basic title is known:
'Arrangement in Grey: Portrait of Master Stephen Manuel' is the preferred title.
Arrangement in Grey: Portrait of Master Stephen Manuel, Freer Gallery of Art
A head and shoulders portrait of a young boy, in vertical format. He faces the viewer, wearing a grey suit with a broad white collar, and a big round hat with a pale grey feather. He has brown curly hair. The background is a warm greyish beige.
Stephen Manuel (1880-1954), CBE, became Chief of Section of Raw Materials Department and Adviser on East Indian Tanned Hides and Skins. His mother, Sophia (Eustratius) Ionides (Mrs M. B. Manuel) (1853-1905), was the sister of Whistler's sister-in-law, Helen ('Nellie') Euphrosyne Whistler (1849-1917) (née Ionides). Stephen Manuel later married one of his cousins, Zoe Ionides (1877-1973).
W. R. Sickert, Portrait of Stephen Manuel, etching, Freer Gallery of Art, FSC-GR-703
One of Sickert's first etchings, Portrait of Stephen Manuel, was done at the time Whistler was painting Stephen's portrait: it is 6.3 x 6.2 cm, very much smaller than the painting. 7
Arrangement in Grey: Portrait of Master Stephen Manuel, Freer Gallery of Art
According to the sitter, Stephen Manuel (1880-1954), 'Whistler produced a fresh canvas each time ... the essential picture was painted very quickly and in about two sittings'. 8 According to the artist Walter Richard Sickert (1860-1942),Whistler 'was not quick enough for the child, who was wearied with the number of sittings'; and Sickert begged Whistler 'don't attempt to repaint the whole picture to the boy's present condition but merely touch details, the picture is finished.' 9
It is in a very restricted range of colours. There are signs of pentimenti around the hat and hair. The brush strokes are barely visible, except for the bolder broad white brushstrokes on the collar.
According to Freer Gallery records, it was cleaned in 1921, relined and resurfaced in 1925, cleaned, resurfaxed and waxed in 1949, revarnished in 1951, and cleaned, restretched, revarnished, inpainted and revarnished in 1965.
Arrangement in Grey: Portrait of Master Stephen Manuel, Freer Gallery of Art
It is in a Flat Whistler frame dating from 1885. 10
It was well received at the Society of British Artists, as Whistler told his sister-in-law, Helen ('Nellie') Euphrosyne Whistler (1849-1917):
'I should have supposed it might have occurred to Mrs Sophie or yourself to drive round one afternoon some day at dusk and say to me how pleased you all are at Steevies success! - He seems certainly to be the favourite in all papers - have n't you seen?' 11
The Illustrated London News praised the 'simple innocency' of the child, Truth commended it as a 'clever arrangement in grey', and the Globe raved about it: 'We are inclined to think that he has produced nothing more masterly in style than this – more beautiful in its gradations of colour or more complete.' 12
By the terms of C. L. Freer's bequest to the Freer Gallery of Art, the painting cannot now be lent to other venues.
COLLECTION:
EXHIBITION:
1: [24 March/April 1885], GUW #05423.
2: S. Manuel to J. Revillon, 13 July 1945, GUL Whistler MS.
3: Winter Exhibition, Society of British Artists, London, 1885 (cat. no. 45).
4: Whistler to D. C. Thomson, [4/11 January 1892], GUW #06795.
5: Memorial Exhibition of the Works of the late James McNeill Whistler, First President of The International Society of Sculptors, Painters and Gravers, New Gallery, Regent Street, London, 1905 (cat. no. 51).
6: YMSM 1980 [more] (cat. no. 321).
7: Troyen 2: impressions in the Fitzwilliam Museum and in the Metropolitan Museum of Art (2007.49.445). Bomberg, Ruth, Walter Sickert: Prints, A Catalogue Raisonné, New Haven and London, 2000 (cat. no. 76, II).
8: S. Manuel to J. Revillon, 13 July 1945, GUL Whistler MS.
9: [25 March/April 1885], GUW #05423.
10: Dr S. L. Parkerson Day, Report on frames, 2017; see also Parkerson 2007 [more].
11: [7/12 December 1885], GUW #06706. See, for instance, 'The Society of British Artists,' Illustrated London News, 12 December 1885, p. 22.
12: 'The Society of British Artists',Illustrated London News, London, 12 December 1885, p. 22; 'The British Artists', Truth, London, 3 December 1885, p. 16; 'Society of British Artists', Globe, London, 5 December 1885, p. 2.