The Paintings of James McNeill Whistler

YMSM 405
Portrait Study of a Man

Portrait Study of a Man

Artist: Formerly attributed to James McNeill Whistler
Date: 1890/1900
Collection: Fitzwilliam Museum, Cambridge, UK
Accession Number: PD.29-1970
Medium: oil
Support: wood
Size: 16.8 x 10.2 cm (6 5/8 x 4")
Signature: none
Inscription: none
Frame: Simple flat Whistler

Date

Portrait Study of a Man may date from the 1890s. 1

Portrait Study of a Man, The Fitzwilliam
Portrait Study of a Man, The Fitzwilliam

Andrew McLaren Young (1913-1975) suggested that on grounds of style it was possible that it was painted in the 1890s. 2 However, there is considerable doubt as to its authorship, and therefore of its date.

Images

Portrait Study of a Man, The Fitzwilliam
Portrait Study of a Man, The Fitzwilliam

Portrait Study of a Man, frame, The Fitzwilliam
Portrait Study of a Man, frame, The Fitzwilliam

Portrait Study of a Man, detail, The Fitzwilliam
Portrait Study of a Man, detail, The Fitzwilliam

Subject

Titles

Only one title is known:

Description

Portrait Study of a Man, the Fitzwilliam
Portrait Study of a Man, the Fitzwilliam

A three-quarter length study of a man in three-quarter view to right, painted in vertical format. He wears a dark overcoat and pale trousers. He has short brown hair and a moustache. The study is unfinished.

Sitter

Roland, Browse & Delbanco considered this to be a portrait of the painter William Stott (1857-1900), which would indicate a date before Whistler's quarrel with him in 1888. This identification has been controverted by Goodison. 5

Technique

Technique

Portrait Study of a Man, the Fitzwilliam
Portrait Study of a Man, the Fitzwilliam

Portrait Study of a Man, detail, The Fitzwilliam
Portrait Study of a Man, detail, The Fitzwilliam

It is painted fairly thinly and broadly except for the face, which was painted careful with a very small pointed brush. There are very rough, sketchy brushstrokes to right of the figure and on the trousers. The pose does not seem to have been worked out properly, and the legs are cut off above the ankles.

The composition, style and technique are not consistent with Whistler's paintings, although the dark colouring is similar to his work.

Conservation History

Unknown.

Frame

Portrait Study of a Man, frame, The Fitzwilliam
Portrait Study of a Man, frame, The Fitzwilliam

Simple flat Whistler frame.

History

Provenance

The early provenance is unknown.

A label on the back of the panel gives supporting information from Roland, Browse & Delbanco; the other information is in gallery records. 6

Exhibitions

It was not exhibited in Whistler's lifetime.

Bibliography

Catalogues Raisonnés

Authored by Whistler

Catalogues 1855-1905

Journals 1855-1905

Monographs

Books on Whistler

Books, General

Catalogues 1906-Present

COLLECTION:

EXHIBITION:

SALE:

Journals 1906-Present

Websites

Unpublished

Other


Notes:

1: YMSM 1980 [more] (cat. no. 405).

2: Letter to Jack Goodison, Fitzwilliam Museum, 23 November 1971, GUL WPP file.

3: Whistleriana: Exhibition arranged on behalf of Journal S.W. 3, 96 Cheyne Walk, London, 1948 (cat. no. 63).

4: YMSM 1980 [more] (cat. no. 405).

5: Goodison 1977 [more], pp. 280-81.

6: See also letters from Clifford Hall to J. W. Revillon, 7 February 1946, and n.d., GUL WPP file.