The Violinist probably dates from between 1890 and 1894, but is difficult to date precisely.
The Violinist, Cleveland Museum of Art
The technique suggests a date in the early 1890s. The butterfly, which appears to be an integral part of the original painting, is of the style used by Whistler about 1894. 1
The Violinist, Cleveland Museum of Art
The Violinist, photograph, n.d.
The Violinist, photograph, 1905?, GUL WPP
The Violinist, frame
The Violinist, frame, verso
Minor variations on the title include:
'The Violinist' is the preferred title.
The Violinist, Cleveland Museum of Art
A half-length portrait of a young woman seated, facing the viewer. She wears an evening dress in grey and pink, with a deep v-neck, and holds a violin under her right arm. She is lit from the left, and set against a dark brown background. The canvas is in vertical format.
Unknown. She has a certain resemblance to a later model, Muriel Smith (1883-1923).
The most famous of Whistler's musical subjects is the portrait of the violinist, Arrangement in Black: Portrait of Señor Pablo de Sarasate y315.
The Violinist, Cleveland Museum of Art
According to Museum conservation reports the canvas, of coarse weave, was prepared with a grey water-based ground, and on top of that a red layer.
The Violinist, photograph, 1905?, GUL WPP
The Violinist, photograph, n.d.
The Violinist, Cleveland Museum of Art
It is possible that the painting has darkened, but these earlier photographs may exaggerate any changes, due to the lighting or the length of the exposure.
The Violinist, frame
The Violinist, frame, verso
It is in a Grau-style frame of American manufacture dating from the 1910s. 7
According to Charles Lang Freer (1856-1919), of Detroit, in 1903 E. J. van Wisselingh, art dealer, of London and The Hague, owned what Freer described as the 'lute player', which was probably this portrait. 8 It was sold by van Wisselingh to the Macbeth Gallery, New York, on 20 February 1908 for $l0,000, but returned to the Netherlands and was sold by Macbeth's to Spiri on 1 May 1908. It was owned by David Heinemann in 1911. 9 It was bought from Heinemann by Howard P. Eells in the following year for $8000, and bequeathed to his widow, Maud Eells, 11 February 1919; she gave it to the Cleveland Museum of Art on 31 December 1942. 10
The Violinist, photograph, 1905?
As their corresponding member, Whistler sent the painting to the 16th exhibition of the Vienna Secession. It was lent by 'Monsieur Z' (probably E. J. van Wisselingh) to the 1905 memorial exhibition. The photograph reproduced above may date from that time.
1: YMSM 1980 [more] (cat. no. 422).
2: n.d., Freer Diaries, Bk 13, Freer Gallery Archives.
3: Exhibition catalogue Vienna 1903 [more] (cat. no. 90). Translation, 'The violinist'.
4: Memorial Exhibition of the Works of the late James McNeill Whistler, First President of The International Society of Sculptors, Painters and Gravers, New Gallery, Regent Street, London, 1905 (cat. no. 34).
5: Francis 1943 [more].
6: YMSM 1980 [more] (cat. no. 422).
7: Dr S. L. Parkerson Day, Report on frames, 2017; see also Parkerson 2007 [more].
8: n.d., Freer Diaries, Bk 13, Freer Gallery Archives.
9: D. Heinemann to J. Pennell, 28 September 1911, LC PC.
10: Francis 1943 [more]; Francis 1965 [more]