Blue and Gold: Robin Hood's Bay dates from 1897/1900. 1
Blue and Gold: Robin Hood's Bay, Whereabouts unknown
It is dated from the technique and butterfly signature.
It was listed as 'Robin Hood's Bay (Blue & Gold)' by Whistler's sister-in-law, Rosalind Birnie Philip (1873-1958), among paintings received from Hinde Street on the closure of the 'Company of the Butterfly' in 1901 (while Whistler was away in Corsica) and sent to William Heinemann (1863-1920), the London publisher, on 19 February 190l. 2
Blue and Gold: Robin Hood's Bay, Whereabouts unknown
Several possible titles have been suggested:
'Blue and Gold: Robin Hood's Bay' is the preferred title. It is in England, not Normandy.
Blue and Gold: Robin Hood's Bay, Whereabouts unknown
A beach scene in horizontal format. In the foreground a figure is stooping to look at something on the beach; several more people are walking along the edge of the sea. On the beach at left is a tall pole. The horizon is well above centre. White waves are breaking on the beach, and two ships are visible in the distance.
Robin Hood's Bay, Yorkshire, England, UK. An early photograph (a silver gelatin print by William Edward Gray, 92 Queen's Road, Bayswater) in the Glasgow University Library is inscribed, not in Whistler's hand, 'Robin Hoods' Bay'. 7 The bay is five miles south-east of Whitby, Yorkshire. Although Whistler painted a small panel in Yorkshire about 1884 (Note in Green: Wortley y303) there is no record of a later visit.
The title change in 1905-1905, when it was owned by H. H. Benedict, is incorrect, as it does not show the Normandy coast.
Blue and Gold: Robin Hood's Bay, Whereabouts unknown
The colour of the panel is rather unusual: the light pinkish brown beach is touched with turquoise, and the sea, painted in thick ribbons of paint, is a mixture of turquoise and purple, under a lowering sky.
Unknown.
Unknown.
'Robin Hood's Bay (Blue & Gold)' was listed by Whistler's sister-in-law, Rosalind Birnie Philip (1873-1958), among paintings received from Hinde Street on the closure of the 'Company of the Butterfly' in 1901 (while Whistler was away in Corsica) and was sent to William Heinemann (1863-1920), the London publisher, on 19 February 190l. 8 It is not known if he actually owned it or acted as intermediary in selling it, or what. It may have been one of the pictures referred to by Whistler in a letter to Heinemann in February 1901, 'It was very nice of you to see to all that about the little marines with Fox for me.' 9 Fox may have been Samuel M. Fox (fl. 1886-1920), sculptor; a letter from Whistler indicates that Fox had been interested in buying work by Whistler but found the price too high. 10
The current whereabouts (2019) are unknown although it is assumed to be in a private collection.
It was not, as far as is known, exhibited in Whistler's lifetime.
EXHIBITION:
SALES:
1: Dated 'Probably ... 1894/5' in YMSM 1980 [more] (cat. no. 424).
2: GUL Whistler BP II Ledger c, pp. 5-6.
3: GUL Whistler BP II Ledger c, pp. 5-6.
4: Oil Paintings, Water Colors, Pastels and Drawings: Memorial Exhibition of the Works of Mr. J. McNeill Whistler, Copley Society, Boston, 1904 (cat. no. 7).
5: Pennell 1908 [more], vol. 2, repr. f.p. 214.
6: YMSM 1980 [more] (cat. no. 424).
7: GB 247 Whistler PH4/58. University of Glasgow, University Collections at http://collections.gla.ac.uk.
8: GUL Whistler BP II Ledger c, pp. 5-6.
9: 20 [February] 1901, GUW #08539.
10: Whistler to Fox, [April 1901], GUW #11461.