Study for 'Brown and Gold: Lillie "In our Alley!" probably dates from 1898.
Study for 'Brown and Gold: Lillie "In our Alley!" ', National Gallery of Canada
Brown and Gold: Lillie 'In our Alley!', Fogg Art Museum
It is dated from its relationship to Brown and Gold: Lillie 'In our Alley!' y464, which was completed in December 1898. 1
Study for 'Brown and Gold: Lillie "In our Alley!" ', National Gallery of
Canada
Brown and Gold: Lillie 'In our Alley!', Fogg Art Museum
Two possible titles have been suggested:
The Canadian website cited above comments:'The title of this painting alludes to the eighteenth-century ballad "Sally in Our Alley." … This painting has also been called "The Lady of Lyme Regis".'The latter title is very misleading, since the painting was not done in Lyme Regis and the model was a Londoner.
'Study for 'Brown and Gold: Lillie "In our Alley!" ' is the preferred title.
Study for 'Brown and Gold: Lillie "In our Alley!" ', National Gallery of
Canada
A half-length portrait of a girl in vertical format. She sits facing left, in three-quarter view to left, but looking sideways to her left, at the viewer. She has shoulder-length brown hair and a deep fringe, and wears a black cap. Her black dress has a high neck, and a greyish-white scarf or blouse is visible at the front. She is sitting on a wooden straight-backed chair. The background is dark brown.
Lilian ('Lily') Pamington (b. 1887/1888).
Whistler painted about ten portraits of Lillie Pamington including Brown and Gold: Lillie 'In our Alley!' y464 and Lillie Pamington y466.
Study for 'Brown and Gold: Lillie "In our Alley!" ', National Gallery of
Canada
Brown and Gold: Lillie 'In our Alley!', Fogg Art Museum
This is a study of Lillie Pamington for Brown and Gold: Lillie 'In our Alley!' y464. The main differences between the two are that in the study the chair is further right on the canvas, the white scarf, or shirt, is not so bright, and the hair is more abundant. Also the background of the study is dark green whereas in the final painting it is reddish brown. Furthermore there are touches of blue on her scarf, in the study, instead of the pinkish white of Brown and Gold: Lillie 'In our Alley!'.
Study for 'Brown and Gold: Lillie "In our Alley!" ', National Gallery of
Canada
The surface of the painting is a bit uneven and the hand holding her hair looks smudged. The outline of her hat has been altered.
Spink commented that areas 'have been wiped to produce a quality of light and texture that Whistler sought.' 4 This was a common part of Whistler's painting process in later years.
Unknown.
Unknown.
COLLECTION:
EXHIBITION:
1: J. J. Cowan to Whistler, 8 January 1899, GUW #00727; Whistler to Cowan, [9] January 1899, GUW #00728. It is dated 'about 1896' in YMSM 1980 [more] (cat. no. 463).
2: YMSM 1980 [more] (cat. no. 463).
3: National Gallery of Canada website at https://www.gallery.ca2 (acc. 2015).
4: Spink, Nesta, Whistler: The Later Years, University of Michigan Art Gallery, Ann Arbor, 1978 (cat. no. 87).