Rose et gris: Geneviève Mallarmé dates from 20 October 1897. 1
Mallarmé and family at Valvins, photograph, GUL Whistler PH1/161
The portrait of Mallarmé's daughter was painted at their home at Valvins (S. et M.) on 20 October 1897, and given by the artist to the sitter. 2
Rose et gris: Geneviève Mallarmé, Private collection
On his return to Paris Whistler had it framed, and wrote to Mallarmé on 23 October 1897:
'Il est déjà dans son cadre le petit tableau de la princesse en son boudoir Rose et gris -
Tout le monde en est enchanté ...
Ma visite restera pour moi un souvenir dont la douce influence ne saura que m'encourager dans ma vie que vous connaissez si triste au fond! ...
Présentez mes homages à ces dames, avec mes meilleurs remerciements pour toutes leurs gentilles bontés ...
En regardant encore, je crois qu'Elle l'aurait aimé, le petit portrait! - et je sais qu'en songeant à moi, vous pensez à nous deux!' 3
Translation: 'The little painting of the princess in her Pink and grey boudoir is already framed -
Everyone is enchanted by it ...
My visit will remain for me a memory of which the sweet influence can only encourage me in my life that you know to be so sad at heart! ...
Give my regards to the ladies, with my many thanks for all their lovely kind-heartedness ...
Looking at it again, I think that She would have liked the little portrait! - and I know that in thinking of me, you think of us both!'
'She' was the artist's wife Beatrice Philip (Mrs E. W. Godwin, Mrs J. McN. Whistler) (1857-1896), who had died in 1896, at which time he was comforted by friends including Stéphane Mallarmé (1842-1898), the poet, and his family.
Rose et gris: Geneviève Mallarmé, Private collection
Rose et gris: Geneviève Mallarmé, photograph, 1960s?
Geneviève Mallarmé, photograph, 1960s?
Stéphane (on left) and Geneviève Mallarmé (on right), photograph, GUL Whistler PH1/161
The suggested titles are as follows:
The preferred title, 'Rose et gris: Geneviève Mallarmé', is based on Whistler's description of the subject in 1897, cited above.
Rose et gris: Geneviève Mallarmé, private collection
A small portrait in upright format of a young woman seated. She wears a pale pink and grey dress with puff sleeves, and a satin ribbon around her tiny waist. She sits on a white-painted wooden chair, leaning on the arms. A fireplace is just visible at right.
Stéphane (on left) and Geneviève Mallarmé (on right), photograph, GUL Whistler PH1/161
Geneviève Mallarmé (Mme Edmond P. C. Bonniot) (1864-1919) (1864-1919), was the only daughter of Whistler's friend, the poet Stéphane Mallarmé (1842-1898) and his wife Maria-Christina Mallarmé née Gerhard (1835-1910).
Louise Bonniot (m. 1921), second wife of the sitter's widower, who inherited the portrait, described Whistler as 'ce grand peintre que Stéphane Mallarmé aimait et admirait profondiment.' 7
Rose et gris: Geneviève Mallarmé, Private collection
The panel was prepared with pale grey under-paint, and the figure sketched in pencil. It is very thinly painted, with free, expressive brush-strokes, leaving much of the under-paint visible. The face was delicately touched in with a small brush.
Rose et gris: Geneviève Mallarmé, photograph
Unknown.
It was not exhibited in Whistler's lifetime.
1: YMSM 1980 [more] (cat. no. 485).
2: Barbier 1964 [more], pp. 263-66, 279.
3: By 'Elle' Whistler meant his late wife; Whistler to Mallarmé, [23 October 1897], GUW #03964.
4: Whistler to Mallarmé, [23 October 1897], GUW #03964.
5: Young, A. McLaren, James McNeill Whistler, Arts Council Gallery, London, and Knoedler Galleries, New York, 1960 (cat. no. 71).
6: YMSM 1980 [more] (cat. no. 485).
7: L. Bonniot to A. McL. Young, 21 August 1959, GUL WPP file.