The Boy in a Cloak dates from the late 1890s, between 1896 and 1900. 1
The Boy in a Cloak, The Hunterian
Brun et or: De race, The Hunterian
It is dated from its relationship to another portrait of the same sitter, Brun et or: De race y511, and to portraits of the model's brother and sister, The Little Faustina y510 and Vert et or: Le Raconteur y513.
Arthur Jerome Eddy (1859-1920) wrote in 1903: 'Some years ago [Whistler] showed a visitor several heads of Italian children, each about ten or twelve, by sixteen or eighteen inches in size. With them was a three-quarter length of one of the children'; Whistler priced the portraits at 600 guineas each and the visitor wanted to buy the lot (four in number) but Whistler would not let them go, on the pretence that they were unfinished.' 2
The Boy in a Cloak, The Hunterian
Brun et or: De race, The Hunterian
Only one main title is known:
'The Boy in a Cloak' is the preferred title.
The Boy in a Cloak, The Hunterian
A three-quarter length portrait of a boy, in vertical format. He stands in three-quarter view to left, looking at the viewer. He has shoulder-length brown hair, and wears a long dark cloak. He stands against a dark green background.
Charles Lang Freer (1856-1919) of Detroit recorded seeing a portrait, 'Boy in the cloak' in Whistler's studio in 1903. 6 Freer also noted that Whistler had painted another portrait of this 'little boy with fine eyes'; he was also the model for Brun et or: De race y511.
Brun et or: De race, The Hunterian
The model's brother and sister also posed for Whistler (The Little Faustina y510, Vert et or: Le Raconteur y513). There is a strong family resemblance, particularly in their sallow colouring and the soft brown of the hair and eyes.
The Boy in a Cloak, The Hunterian
The face is so highly finished that there are no signs of brushwork (the thin paint has also been rubbed down to ensure a smooth texture), but by contrast the hands are conveyed by a few dabs of pink with a nearly dry brush. The eyes have a highlight of light brown instead of the usual touch of white.
Charles Lang Freer (1856-1919) recorded seeing a portrait, ' "Boy in the cloak" Background scrubbed by Mr. W.' in Whistler's studio in 1903. 7
130.5 x 106.2 x 8.2 cm. Like Brun et or: De race y511 the frame bears the label of Frederick Henry Grau (1859-1892), Whistler's frame-maker in London, and the canvas was probably acquired and painted in London.
It was not, as far as is known, exhibited in Whistler's lifetime.
By the terms of Miss R. Birnie Philip's gift to the University of Glasgow, it cannot be lent to another venue.
1: YMSM 1980 [more] (cat. no. 512).
2: Eddy 1903 [more], pp. 273-74.
3: Œuvres de James McNeill Whistler, Palais de l'Ecole des Beaux-Arts, Paris, 1905 (cat. no. 35).
4: James McNeill Whistler, University of Glasgow, Glasgow, 1936 (cat. no. 25).
5: YMSM 1980 [more] (cat. no. 512).
6: [1903], Diaries, Bk 13, Freer Gallery Archives.
7: [1903], Diaries, Bk 13, Freer Gallery Archives.