Ajaccio, Corsica is presumed to date from between January and April 1901 when Whistler was convalescing in Corsica, although since the scene has not been identified, it is not absolutely certain that it does show Corsica. Judging by the technique and signature, it must date from at least the mid 1890s. For instance, it could possibly have been an untraced painting, Landscape, Lyme Regis y447, dating from 1895.
In January 1901 Whistler complained about the constraints imposed by his health:
'I sit here on a bench and stew - which is literally a fact, as if it were in July - and fret ... to think of all the work undone, and the comparative stagnation in which I seem to be floundering! ... immediately I have rushed off to do desperate work in some fiendish draught - and come home to bark in the night and begin all over again! - It is most discouraging ... I suppose I must just hang on here and shut my eyes - for there are beautiful things in uncanny corners!' 1
The weather took a turn for the better in April: 'today', he wrote 'it is simply amazing! 40 - degrees - out of doors in shade. But what's the use! all this time lost as far as work goes!' 2 This painting is likely to date from towards the end of his stay, when the weather became warm enough to paint out of doors.
Ajaccio, Corsica, Fogg Art Museum
Only one title has been suggested:
Ajaccio, Corsica, Fogg Art Museum
A landscape in horizontal format. In the foreground at left are a woman and child. A low escarpment runs across the centre, leading at right to a ramshackle building that appears to be a hen house. A green hill rises behind, and behind the rocky summit, to right, the grey roof of a small house is visible. The sky is pale blue-grey.
The site is identified by a note on the verso of the frame, but this is not in Whistler's hand, and so is not completely reliable.
Ajaccio, the capital city of Corsica, is situated on the west coast of the French island, in the Mediterranean. Whistler went there to convalesce in 1901. This painting could have been done in the hills behind the town.
An alternative site may be the hills above the cliffs of Lyme Regis, Dorset, where there are outcrops of rock. Whistler is known to have worked there in 1895 and tried to sell a painting, Landscape, Lyme Regis y447, in that year. 5
Ajaccio, Corsica, Fogg Art Museum
It is thinly painted with a very free and liquid technique, and the brushmarks clearly visible. There is some fussy reworking around the figures in the foreground.
Unknown.
Size: 28.6 x 37.8 x 4.5 cm (11 1/4 x 14 7/8 x 1 3/4"). A partial inscription on the verso reads 'VE / HAND CARVED / NEW YORK & LONDON'.
The early provenance of this panel is not known.
It was not exhibited in Whistler's lifetime, as far as is known.
COLLECTION:
EXHIBITION:
1: Whistler to R. B. Philip, 30 January 1901, GUW #04788.
2: Whistler to R. B. Philip, [3 April 1901], GUW #04801.
3: Sutton 1966 B [more], pl. 20.
4: YMSM 1980 [more] (cat. no. 546).
5: Whistler to E. G. Kennedy, [12 September 1895], GUW #07258.