Detail from The Canal, Amsterdam, 1889, James McNeill Whistler, The Hunterian, University of Glasgow

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Sketch for hallway of 49 Princes Gate

Composition

Sketch for hallway of 49 Princes Gate, The Hunterian
Sketch for hallway of 49 Princes Gate, The Hunterian
Panel from the Entrance Hall at 49 Princes Gate, Freer Gallery of Art
Panel from the Entrance Hall at 49 Princes Gate, Freer Gallery of Art

A design for the hallway at the house of Frederick Richards Leyland (1832-1892) in 49 Prince's Gate, London. One of the panels is reproduced above.

A Chinese lady with a parasol, whereabouts unknown
A Chinese lady with a parasol, whereabouts unknown
Design for a Mosaic, Private Collection
Design for a Mosaic, Private Collection
The Japanese Dress, Davison Art Centre, Wesleyan University
The Japanese Dress, Davison Art Centre, Wesleyan University

On the wall at right is a full-length painting of a woman with a large parasol, which does not represent any known painting. The composition is similar to that in several drawings, including A Chinese lady with a parasol [M.0459], and two later drawings, Design for a Mosaic [M.1226] and The Japanese Dress [M.1227]. These are thought to be related to designs for a Gold Girl [M.0461], which was first mentioned in 1872: a subject to which, it appears, Whistler repeatedly returned. 1

Technique

See MacDonald 1995 (cat. rais.) [more] (cat. no. 577).

Notes:

1: Merrill 1998 [more], pp. 183-84; Merrill suggests the painting was suggested by La Princesse du pays de la porcelaine [YMSM 050], but that does not include the prominent parasol.

Last updated: 7th December 2020 by Margaret