Detail from The Canal, Amsterdam, 1889, James McNeill Whistler, The Hunterian, University of Glasgow

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Sketchbook

Composition

St Bartholomews, Sketchbook, p. 57, The Hunterian
St Bartholomews, Sketchbook, p. 57, The Hunterian
Churchyard, lithograph, National Gallery of Art, Washington, DC
Churchyard, lithograph, National Gallery of Art, Washington, DC

This sketch is closely related to the lithograph Churchyard c021.

Naval Review, Sketchbook, p. 11, The Hunterian
Naval Review, Sketchbook, p. 11, The Hunterian
Naval Review, Sketchbook, p. 13, The Hunterian
Naval Review, Sketchbook, p. 13, The Hunterian

The tentative pencil sketches of Queen Victoria's Naval Review in 1887 are not studies for the etchings, though some – Troopships [307] and The Turret Ship [305] for instance – also show the naval ships in the distance.

Technique

The off-white (browned) canvas covered sketchbook, with a pencil holder, originally contained 82 sides of cream wove paper. Some of these have been removed. The paper has a fine grain running the length of the paper and, at a slight diagonal, a wider spaced, ripply grain.

Landscape with windmills, Sketchbook, p. 47, The Hunterian
Landscape with windmills, Sketchbook, p. 47, The Hunterian
Village, Sketchbook, p. 16, The Hunterian
Village, Sketchbook, p. 16, The Hunterian

Most of the drawings are in pencil, but one Dutch scene was drawn in sharply defined pen and ink, and there are several tiny, expressively painted, watercolours, also of the Netherlands. A few, such as the watercolour above, are signed with a butterfly.

Last updated: 8th December 2020 by Margaret