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One title has been suggested:
It was described by 'Megilp' in 1879 as 'a young lady, with yellowish drapery leaning over a balcony.' 3 It was described by the Art Journal in 1886 as 'a study of a single figure lightly draped', 4 and, more fully, by The Era as 'a girl whose form is draped, but not concealed, in blue gauze, leaning against a yellow balustrade with her back to the sea and her head set against a large yellow parasol.' 5
Whistler made a pen drawing of the oil painting, Sketch of 'Harmony in Blue and Gold' [M.1095], in 1886, signed with a butterfly, which was published in the Pall Mall Gazette. It shows a draped figure standing, with legs crossed, leaning back on a balcony, and holding in her right hand a large parasol, the handle resting on her shoulder and the parasol framing her head. She stands on a chequered pavement.
This is the only certain record of the oil, although the watercolour reproduced above, A nude girl with a parasol [M.1094], with a colour scheme of blue and gold, may be related to it.
It may also relate to designs in pastel, dating from 1872-1873, for a mosaic called by Whistler 'The Gold Girl', which was intended for the South Kensington Museum, but never realised. These designs – r.: A Japanese Woman; v.: Girl with parasol [M.0458], A Chinese lady with a parasol [M.0459], and Gold Girl [M.0461] – show a woman in Oriental robes, with a parasol.
Unknown.
Last updated: 15th November 2020 by Margaret