Detail from The Canal, Amsterdam, 1889, James McNeill Whistler, The Hunterian, University of Glasgow

 

Nocturne in Blue and Gold

Titles

Only one title is known:

  • 'Nocturne in Blue and Gold' (1878, Grosvenor). 1

Description

A riverscape in horizontal format; it was described by a journalist as 'the luminous darkness of a moonlit night' 2 and by The Times on 2 May 1878, as a view 'of the river in fog'.


                    Nocturne: Blue and Silver – Battersea Reach, Freer Gallery of Art
Nocturne: Blue and Silver – Battersea Reach, Freer Gallery of Art

                    Nocturne in Black and Gold: Entrance to Southampton Water, Freer Gallery of Art
Nocturne in Black and Gold: Entrance to Southampton Water, Freer Gallery of Art

It was described more fully in the Yorkshire Post and Leeds Intelligencer, 14 May 1878:

' "Nocturne in Blue and Gold" is evidently the entrance to a harbour; there can be very little doubt of the fact, as there is a distinct suggestion of lights on a sort of pier or wharf, and one sail which sticks up in a dejected sort of way shows conclusively that the artist is treating a river or sea scene.'

This description is not full enough to confirm the identity of the painting, though it could in part apply to Nocturne: Blue and Silver - Battersea Reach [YMSM 119] or Nocturne in Black and Gold: Entrance to Southampton Water [YMSM 179].

Site

Probably the River Thames, London.

Notes:

1: II Summer Exhibition, Grosvenor Gallery, London, 1878 (cat. no. 56).

2: Press cutting labelled 'Daily Telegraph', [May 1878], in GUL Whistler PC 1, p. 89.

Last updated: 29th December 2020 by Margaret