Titles
Several possible titles have been suggested:
- 'Portrait de M. Théodore Duret' (1885, Société des artistes français). 1
- 'Arrangement en couleur chair et noir' (1904, T. Duret). 2
- 'Portrait of Monsieur Théodore Duret, Writer on Art' (1905, ISSPG). 3
- 'Arrangement en couleur chair et noir: Portrait de Théodore Duret' (1980, YMSM). 4
The title by which it is known, 'Arrangement en couleur chair et noir: Portrait de Théodore Duret', is a combination of the early exhibition titles and that given by Duret himself in 1904.
Description
Arrangement en couleur chair et noir: Portrait de Théodore Duret, Metropolitan Museum of Art, NY
A full-length portrait of a bearded man, in vertical format. He faces the viewer, and is wearing evening dress – a white shirt, black suit – and carries a pink domino (a woman's evening cloak) over his left arm. He carries a top hat in his right hand.
Sitter
E. Manet, Portrait de Théodore Duret, 1868, Petit Palais, Paris
Théodore Duret (1838-1927), art critic and connoisseur, was introduced to Whistler by Edouard Manet (1832-1883) in 1880 (in 1868 Manet had painted the portrait of a very dandyish Duret, which is illustrated above).
Duret owned several of Whistler's paintings (Trouville [YMSM 070], Nocturne: Grey and Silver [YMSM 156], Nocturne in Black and Gold: The Gardens [YMSM 166], Nocturne: Trafalgar Square - Snow [YMSM 173], and possibly Alice Butt (1) [YMSM 437]) and also published one monograph and several influential articles on Whistler. 5
E. Vuillard, Théodore Duret, 1912, National Gallery of Art, DC
In 1912 Edouard Vuillard (1868-1940) painted a magnificent portrait of Duret in his office, holding a cat, and with the Whistler portrait in the background. It is now in the National Gallery of Art in Washington, DC, and is reproduced above.
In the following year Duret wrote to the Metropolitan Museum of Art in New York: 'Ce que Whistler a du faire d'effort pour réussir ce portrait et l'amener, selon son esthétique, à ce point de perfection où l'apparence de l'effort a disparu, moi seul le sais!' 6 (Translation: 'What effort Whistler had to make to succeed in this portrait and bring it, according to his aesthetic, to this point of perfection where the appearance of the effort has disappeared, only I know!')
Comments
Arrangement en couleur chair et noir: Portrait de Théodore Duret [YMSM 252] is distinguished from Whistler's other portraits of men in evening dress (Arrangement in Black: Portrait of F. R. Leyland [YMSM 097], Portrait of Sir Henry Cole [YMSM 233], Arrangement in Black: Portrait of Señor Pablo de Sarasate [YMSM 315], Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac [YMSM 398]) in having a light rather than a dark background.
George Moore (1852-1933) and Louisine Waldron Havemeyer (1855-1929) questioned the realism of the portrait and considered the pink domino a decorative but inappropriate accessory. 7
Notes:
1: Ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants, 103rd exhibition, Salon de la Société des artistes français, Palais des Champs Elysées, Paris, 1885 (cat. no. 2460).
2: Duret 1904 [more] , repr. f.p. 162.
3: Memorial Exhibition of the Works of the late James McNeill Whistler, First President of The International Society of Sculptors, Painters and Gravers, New Gallery, Regent Street, London, 1905 (cat. no. 10).
4: YMSM 1980 [more] (cat. no. 252).
5: Duret 1881, Whistler [more] ; Duret 1888 [more] ; Duret 1904 [more] (later editions published in 1914 and 1917).
6: 2 March 1913, Museum Archives.
7: Moore, George, Confessions of a Young Man, London, 1928, pp. 91-92, 103. Havemeyer 1961 [more] , p. 189.
Last updated: 4th December 2020 by Margaret
