Technique

The canvas is a very fine open plain weave. The size of the canvas corresponds closely to that of the French 'toile de vingt' (73 x 50cm) and it was probably acquired, as well as painted, in Paris. It appears to have been primed in mid-grey. The canvas appears to have been painted in one session, although the right hand was later rubbed out. 1

The Hunterian website commented:

'This work is best described as a "lay in", where Whistler sketched in the main elements of the composition, but did not take the painting any further. His painterly skill is apparent in the expressive, fluid brushstrokes which capture the subject's easy pose and graceful limbs.' 2

However, 'easy pose' is a slight exaggeration, since this pose would have been hard to keep for long. It is indeed the sweeping brushstrokes that make the painting appear effortless.

Conservation History

It was lined, probably by John Bull in 1980, when the canvas was found to be dry and brittle, and it was probably cleaned, retouched and revarnished at that time. 3

Frame

105.2 x 82.2 x 8.1 cm.