Provenance
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1889: bought from Wunderlich's, New York art dealers, in April 1889, by
Howard Mansfield (1849-1938)
, who owned it until at least 1904.
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Date unknown: with Harlow McDonald & Co., (formerly Arthur H. Harlow & Co., 667 5 Ave) New York (label).
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By 1934: owned by Mary Josephine Quinn Sullivan, Mrs Cornelis J. Sullivan (1877-1939), New York, and sent to Macbeth, New York dealers, on 1 November 1934 (Macbeth records, AAA);
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1935: probably bought from her by
Edwin A. Seasongood (1876-1953)
;
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1951: sold at auction, Parke Bernet, New York, 5-6 November 1951 (lot 304);
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1951: bought on 6 November from Dr C. J. Robertson by Macbeth, New York dealers;
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1952: sold in February to Professor Charles H. Morgan (d. 1984), Amherst College;
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1956: sold back to Macbeth, 26 September 1956;
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1957: sold to Hirschl and Adler, New York dealers, 16 August 1957;
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1959: bought in June by Gerald M. Bordman (1931-2011), Bala Cynwyd, Pennsylvania;
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2011: sold from the Estate of G. M. Bordman, at auction, Freeman's, Philadelphia, 4 December 2011 (lot 68).
See further details in MacDonald 1995 (cat. rais.) [more]
(cat. no. 1037); the record has been updated.
Exhibitions
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1886:
'Notes' - 'Harmonies' - 'Nocturnes', Second Series, Messrs Dowdeswell, London, 1886 (cat. no. 25) as 'Blue and opal – The Photographer'.
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1889:
“Notes” – “Harmonies” – “Nocturnes”, H. Wunderlich & Co., New York, 1889 (cat. no. 44) as 'Green and Silver – The Photographer'.
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1904:
Oil Paintings, Water Colors, Pastels and Drawings: Memorial Exhibition of the Works of Mr. J. McNeill Whistler, Copley Society, Boston, 1904 (cat. no. 87) as 'Green and Silver. The Photographer'.