The pale turquoise-blue band across the top of the shop contrasts strongly with the predominantly dark brown tones of the painting, which is on a grey primed panel. It is difficult to make out the technique because of the condition of the panel. However, it is clear that for all its small size, it was painted with quite bold strokes of thin paint. The square brushstrokes on the wall have an almost abstract quality, complementing the geometrical grid of the shop front. On the other hand, the detail of the child in white bonnet and apron, looking in the window, was expressively painted with smaller brushes.
There is fine crazing (craquelure) over the entire surface.
Small Dowdeswell, frame possibly made by Charles Mitchell May, 1886 [11.1 cm]. 1
Last updated: 21st November 2020 by Margaret