The suggested titles are follows:
'Violet and Blue: Among the Rollers' is the original and preferred title.
A seascape in horizontal format, showing deep green blue waves under a cloudy sky of pale turquoise and pinkish grey clouds. The waves are white-topped, and there are two sailing ships (one near. one far) on the horizon at right.
The artist wrote to his picture restorer, Stephen Richards (1844-1900), that he had 'painted the panel out in the full sea.' 6
It was probably painted in Brittany in September 1893 (see The Bathing Posts, Brittany [YMSM 409]) although on 10 December 1893 Whistler wrote to D. C. Thomson of Goupil's, London dealer, that it 'was painted in Brittany a few weeks ago.' 7
The Art Journal described the three sea-pieces exhibited at the Grafton Galleries in 1894 incorrectly as having been painted the previous autumn on the coast of Normandy. 8 Geffroy was probably correct in saying all three (which he saw in Paris) were painted in the summer on the coast of Brittany (see Violet and Silver: A Deep Sea [YMSM 411]). 9
1: Whistler to D. C. Thomson, [16 October 1893], GUW #08249.
2: Whistler to D. C. Thomson, (20 October [1893], GUW #08247.
3: Fair Women, Grafton Galleries, London, 1894 (cat. no. 70).
4: Oil Paintings, Water Colors, Pastels and Drawings: Memorial Exhibition of the Works of Mr. J. McNeill Whistler, Copley Society, Boston, 1904 (cat. no. 13).
5: YMSM 1980 [more] (cat. nos. 413, 517).
6: [16 January 1894], GUW #02903.
7: Whistler to D. C. Thomson, [10 December 1893], GUW #08287. St James's Gazette, 12 December 1893.
Last updated: 12th November 2020 by Margaret