Provenance

• 1878/1879: Charles Augustus Howell (1840?-1890) is said to have deposited the drawing with Attenborough, a London pawn-broker, on behalf of Whistler and others.

According to the Pennells,

'Whistler, one day when the talk was of the Oratory and what it ought to be, made a sketch of his idea for it. The sketch was thrown aside ... Then a fearfully hard-up moment came for all the group... Howell said he would see what he could do, the sketch suddenly reappeared, he carried it to Attenborough, the pawn-broker, returning with more money than any of them had ever yet pawned their work for. Time went on , the sketch was not redeemed, was altogether forgotten, until Whistler, passing Attenborough's, discovered it in the window, described as Michael Angelo's first drawing for St. Peter's, with a huge price tagged on to it.' 1

The Pennells told this story as coming from Whistler, but dated it 22 October 1906 (possibly meaning 1900). They apparently heard a variation of the story, citing Robert Baldwin Ross (1869-1918) as the authority, that 'the drawing had become one of the Louvre by Whistler which Jo tried to sell to Sir Sidney Colvin for the British Museum as a sketch of the Parthenon by Michael Angelo.' Joanna Hiffernan (b. ca 1843-d.1886) was in contact with Whistler for over 20 years, and indeed, had power of attorney while he was away in South America. She had every opportunity to acquire drawings by Whistler but is highly unlikely to have tried to sell such a drawing to Sidney Colvin (1845-1927).

Exhibitions

It was not exhibited in Whistler's lifetime.