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On 6 June 1915, the Observer critic wrote: 'in general design and in the woman's pose contains a clear echo of Botticelli's famous "Abundance" at the British Museum', but thought it less effective in 'indicating the sinuosities of the figure' than La Jeunesse [M.1380].
See MacDonald 1995 (cat. rais.) [more] (cat. no. 1276).
Last updated: 8th December 2020 by Margaret