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Several possible titles have been suggested:
A night scene, in horizontal format, showing the view across a broad river, with a small boat at lower right. The buildings dimly seen across the river include a church tower at left, and factory chimneys and a spoil heap to its right. The river recedes into the distance at right.
The title given to this painting for its exhibition in 1905 is misleading because Battersea Bridge is not shown.
The site is the River Thames in London. Nocturne in Blue and Silver [YMSM 151] and Nocturne: Blue and Silver - Battersea Reach [YMSM 152] appear to represent the same view. It is basically a view of Battersea Reach from Chelsea similar to Grey and Silver: Chelsea Wharf [YMSM 054], Nocturne in Blue and Silver [YMSM 113], Nocturne [YMSM 114], Nocturne: Blue and Silver - Battersea Reach [YMSM 119], and Nocturne: Battersea [YMSM 120]. The clock tower appears like that in Nocturne: Westminster - Grey and Gold [YMSM 144] and Nocturne: Grey and Silver [YMSM 156]. Anna Robins comments on the precision with which Whistler represented the silhouette of the Morgan Crucible Company. 7
1: II Summer Exhibition, Grosvenor Gallery, London, 1878 (cat. no. 53).
2: Exposition Internationale de Peinture, Galerie George Petit, Paris, 1883 (cat. no. 5).
3: A Collection of Selected Works by Painters of the English, French & Dutch Schools, Goupil Gallery, London, 1898 (cat. no. 25).
4: Memorial Exhibition of the Works of the late James McNeill Whistler, First President of The International Society of Sculptors, Painters and Gravers, New Gallery, Regent Street, London, 1905 (cat. no. 38).
5: Pennell 1908 [more] , vol. 1, repr. f.p. 162.
Last updated: 6th February 2021 by Margaret