Catalogues Raisonnés

• Young, Andrew McLaren, Margaret F. MacDonald, Robin Spencer, and Hamish Miles, The Paintings of James McNeill Whistler, New Haven and London, 1980 (cat. no. 242), plate 170, as 'Arrangement in Black: La Dame au brodequin jaune – Portrait of Lady Archibald Campbell'.

Authored by Whistler

• Goupil Gallery and James McNeill Whistler, Nocturnes, Marines & Chevalet Pieces [portfolio of photographs published after the Goupil Gallery Exhibition, March-April 1892], London, 1892, repr. pl. 19.

Catalogues 1855-1905

• VIII Summer Exhibition, Grosvenor Gallery, London, 1884 (cat. no. 192) as 'Portrait of Lady Archibald Campbell'.
• Ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants, 103rd exhibition, Salon de la Société des artistes français, Palais des Champs Elysées, Paris, 1885 (cat. no. 2459) as 'Portrait de Lady Archibald Campbell'.
• III. Internationale Kunst-Ausstellung, Königlicher Glaspalast, Munich, 1888 as 'Arrangement in Schwarz: Lady Archibald Campbell'.
• Exposition Universelle, Champs de Mars, Paris, 1889, British section (cat. no. 165) as 'Portrait de Lady Archibald Campbell; – arrangement en noir, no. 7'.
• Exposition Générale des Beaux-Arts, Brussels, 1890.
• 21st Autumn Exhibition of Pictures, Walker Art Gallery, Liverpool, 1891.
• Nocturnes, Marines & Chevalet Pieces, Goupil Gallery, London, 1892 (cat. no. 41) as 'Arrangement in Black: La Dame au Brodequin Jaune'.
• World's Columbian Exposition, Department of Fine Arts, Chicago, 1893 (cat. no. 758) as 'The Lady with the Yellow Buskin'.
• Sixty-third Annual Exhibition, Pennsylvania Academy of the Fine Arts, Philadelphia, 1893 (cat. no. 35) as 'The Yellow Buskin'.

Newspapers 1855-1905

• Anon., Bristol Times and Mirror, Bristol, 1 May 1884, p. 3.
• Anon., 'The Grosvenor Gallery', Birmingham Daily Post, Birmingham, 2 May 1884, pp. 4-5.
• Anon., 'The County Gentleman', Sporting Gazette, London, 10 May 1884, pp. 6-7.
• Anon., 'A Gallop through the Galleries', Edinburgh Evening News, Edinburgh, 12 May 1884, p. 2.
• Anon., 'The Grosvenor Gallery', Times of India, Maharashtra, 24 May 1884, p. 6.
• Anon., 'The Grosvenor Gallery', London Daily News, London, 2 June 1884, p. 6.
• Anon., 'The Paris Salon', The Scotsman, Edinburgh, 5 May 1885, p. 5.
• Whistler to the Editor, New York Herald, New York, 26 April 1889.
• Whistler to the Editor, Pall Mall Gazette, London, 27 April 1889, p. 6.
• Hawkins, Rush C., letter to the Editor, New York Herald, New York, 28 April 1889.
• 'Whistler's Grievance', New York Herald, New York, 3 October 1889.
• Whistler to the Editor, New York Herald, New York, 6 October 1889.
• Anon., 'Whistler's Works', The Graphic, London, 26 March 1892, p. 26.

Journals 1855-1905

• Blackburn, Henry, Grosvenor Notes, London, 1884, p. 41.
• Duret, Théodore, 'Correspondance d’Angleterre: Expositions de la Royal Academy et de la Grosvenor Gallery', Gazette des beaux-arts, vol. 29, June 1884, pp. 531-36, at pp. 535-36.
• Dowdeswell, Walter, ‘Whistler’, Art Journal, April 1887, pp. 97-103, repr. as 'Harmony in Brown and Black – Lady Archibald Campbell'.
• Huysmans, Joris Karl, Certains: G. Moreau - Degas - Cheret - Wisthler [sic] - Rops - Le Monstre - Le Fer, etc., Paris, 1889, p. 70.
• 'The Paris Exhibition 1889', The Art Journal, December 1889, pp. ix-xvi, at p. xii.
• Geffroy, Gustave, 'The Salon of 1891', La Justice, 1 July 1891 (trans. in Spencer, Robin (ed.), Whistler: A Retrospective, New York, 1989, pp. 271-72).
• Sickert, Walter Richard, 'Whistler To-day', The Fortnightly Review, vol. 57, new series, vol. 51, April 1892, pp. 543-47, at p. 543.
• Moore, George, 'Mr. Whistler’s Portraits I', The Speaker: A Review of Politics, Letters, Science and the Arts, vol. 5, 2 April 1892, pp. 406-07, at p. 406.
• Anon., ‘Дж. УистлерЪ [Dzh. Uistler]’, Мир искусства [Mir Iskusstva, 'World of Art'], vol. 9, 1903, pp. 61-68, repr. p. 65.
• Bénédite, Léonce, 'Artistes Contemporains: Whistler', Gazette des beaux-arts, vol. 33, 1905, pp. 403-10, 496-511; vol. 34, 1905, pp. 142-58, 231-46, in vol. 34 at p. 244.

Monographs

• None.

Books on Whistler

• Curry, David Park, James McNeill Whistler: Uneasy Pieces, New York, 2004, pp. 168-69, 410 n. 11.
• Duret, Théodore, Histoire de J. McN. Whistler et de son oeuvre, Paris, 1904, pp. 95-99, 102, wood engraving by Delorme-Butler repr. p. 97.
• Eddy, Arthur Jerome, Recollections and Impressions of James A. McNeill Whistler, Philadelphia and London, 1903, pp. 119-20.
• MacDonald, Margaret F., Susan Galassi, Aileen Ribeiro, and Patricia de Montfort, Whistler, Women and Fashion, New Haven and London, 2003, pp. 9, 34-35, 136, 178-83, 330, figs. 172, 175.
• Pennell, Elizabeth Robins, and Joseph Pennell, The Life of James McNeill Whistler, 2 vols, London and Philadelphia, 1908, vol. 1, pp. 305-07, repr. f.p. 305; vol. 2, pp. 28, 88, 90-91, 116, 132, 298.
• Pennell, Elizabeth Robins, and Joseph Pennell, The Whistler Journal, Philadelphia, 1921, p. 4.
• Petri, Grischka, Arrangement in Business: The Art Markets and the Career of James McNeill Whistler, Hildesheim, 2011, pp. 173-74, 390, 429, 443, 453, 492, 534, 563-64, 683, 689.
• Robins, Anna Gruetzner, A Fragile Modernism. Whistler and his Impressionist Followers, London and New Haven, 2007, pp. 66-70, 84-85, 161.
• Spencer, Robin (ed.), Whistler: A Retrospective, New York, 1989, pp. 267, 272.
• Spencer, Robin, Whistler, New York, 1990, pp. 108-09.
• Sutherland, Daniel E., Whistler: A Life for Art's Sake, New Haven and London, 2014, pp. 191, 199, 256, 262, 275.
• Sutton, Denys, Nocturne: The Art of James McNeill Whistler, London, 1963, p. 101.

Books, General

• Anesko, Michael and Greg. W. Zacharias (eds), The Complete Letters of Henry James, 1883-1884, vol. 2, University of Nebraska Press, Lincoln, 2019.
• Blanche, Jacques-Émile, Portraits of a Lifetime: The Late Victorian Era, the Edwardian Pageant, 1870-1914, W. Clement (trans. and ed.), London, 1937, p. 73.
• Harbron, Dudley, The Conscious Stone: The Life of Edward William Godwin, London, 1949, p. 167.
• Moore, George, Modern Painting, London, 1893, pp. 7-9, 11.
• Morris, Harrison S., Confessions in Art, New York, 1930, pp. 17-18, 45-6.
• Muther, Richard Geschichte der Malerei im XIX Jahrhundert, 3 vols, Munich, 1893-1894 ('Whistler und die Schotten', vol. 3, chap. 48, pp. 522-37), vol. 3, p. 522, engraving repr. p. 523.
• Preston, Kerrison (ed.), Letters of W. Graham Robertson, London, 1953, pp. 367-68.
• Robins, Anna Gruetzner (ed.), Walter Sickert: the Complete Writings on Art, Oxford, 2000, pp. 4, 36, 59, 91, 186, 417.

Catalogues 1906-Present

• Young, A. McLaren, James McNeill Whistler, Arts Council Gallery, London, and Knoedler Galleries, New York, 1960 (cat. no. 45).
• Sweet, Frederick A., James McNeill Whistler, Art Institute of Chicago and Munson-Williams-Proctor Institute, Utica, 1968 (cat. no. 33).
• Blaugrund, Annettte, Paris 1889: American Artists at the Universal Exposition, Pennsylvania Academy of the Fine Arts, 1989 (cat. no. 165).
• Dorment, Richard, and Margaret F. MacDonald, James McNeill Whistler, Tate Gallery, London, Musée d’Orsay, Paris, and National Gallery of Art, Washington, DC, 1994-1995 (cat. no. 130).
• Merrill, Linda, et al., After Whistler: The Artist and His Influence on American Painting, High Museum of Art, Atlanta, 2003, pp. 24-25, 55-57, 67, repr. fig. 16.

Journals 1906-Present

• Mahey, John A. (ed.). 'The Letters of James McNeill Whistler to George A. Lucas', Art Bulletin, vol. 49, September 1967, pp. 247-57, at p. 255.
• Sickert, Walter R., ‘The New Life of Whistler’, Fortnightly Review, XC, 1 December 1908, pp. 1017-28, at p. 1027.
• Sickert, Walter R., ‘Where Paul and I differ’, Art News, No. 14, 10 February 1910, p. 113.
• Sickert, Walter R., ‘Degas’, Burlington Magazine, vol. 31, November 1917, pp. 183-91, at p. 186.
• 'Modern Painting in the Wilstach Gallery', The International Studio, vol. 63, 1918, p. cviii.

Websites

• Philadelphia Museum of Art website at http://www.philamuseum.org.

Unpublished

• Revillon, Joseph Whistler, Draft Catalogue Raisonné of the Paintings of J. McN. Whistler, [ca 1945-1955], Glasgow University Library (cat.no. 162).

Other

• Parkerson, Sarah Lawrence, Variations in Gold: The Stylistic Development of the Picture Frames used by James McNeill Whistlers, PhD thesis, University of Glasgow, 2007.