Provenance

• 1885: bought from Messrs Dowdeswell by Henry Studdy Theobald (1847-1934) ;
• 1902: bought by Charles Lang Freer (1856-1919) , Detroit;
• 1919: bequeathed by C. L. Freer to the Freer Gallery of Art.

It was exhibited in Whistler's one-man show 'Notes' - 'Harmonies' - 'Nocturnes', Messrs Dowdeswell, London, 1884 (cat. no. 56) and bought in the following year by H. S. Theobald. 1 Whistler wrote to Walter Dowdeswell (1858-1929) later in the year:

'I must know the whereabouts of every one of my little pictures -

You promised that you would give me the address of each one by referring to the catalogues -

Then again, you must arrange with the man who bought the lot that remained over after the exhibition of the "Flesh color & grey", to let his collection go with me to America.' 2

This did not happen. It was many years before the painting came to America. In June 1902, Whistler sent C. L. Freer a telegram 'Theobald paintings at Marchants') informing him that the paintings owned by Theobald were apparently for sale. 3 It was bought by C. L. Freer in August 1902, for $500.

Exhibitions

• 1884: 'Notes' - 'Harmonies' - 'Nocturnes', Messrs Dowdeswell, London, 1884 (cat. no. 56) as 'Blue and grey – Unloading'.
• 1887: Exposition Internationale de Peinture et de Sculpture, Galerie Georges Petit, Paris, 1887 (cat. no. 171) as 'Bleu et argent: Le Debarquement'.

This was among several paintings commended by Walter Richard Sickert (1860-1942) in 1884 for 'Beauty of handling and high finish.' 4

In 1887, Whistler asked Theobald for loans for an exhibition in Paris:

' I am sending some pictures and drawings of mine to a very swell exhibition in Paris - and I am most anxious to borrow from you some 14 or 15 of the little things of mine you have on the staircase and in your dining room, that I may exhibit them at the same time -' 5

Theobald was a generous lender and 'Bleu et argent: Le Debarquement' was among several works from his collection shown at the Galerie Georges Petit in 1887.

By the terms of C. L. Freer's bequest to the Freer Gallery of Art, the painting cannot be lent.