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A pencil drawing by Whistler on the verso of a letter of December 1892 shows roughly the same composition as the panel. 1
Although Whistler is said to have considered a design incorporating 'a great Peacock ten feet high' no related drawings are known. 2 A somewhat wild suggestion by Isabella Stewart Gardner (1840-1924) that the Peacock Room should be bought, split up, and incorporated in the room, was met by Sargent and Whistler with dismay. 3
The wood panel has the stamp of Emile Blanchet (1852-1931), 20 rue Saint-Benoît, Paris, on the verso. The panel was not primed, so the vivid colours have sunk into the board. The design was first outlined in black and brown paint, and shows many signs of having been rubbed out and altered, and worked over in pencil.
Unknown.
Last updated: 4th June 2021 by Margaret