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The portrait is thinly painted over a red ground. It is painted carefully, to a high finish unusual in Whistler's work. Some areas have been rubbed down, including areas of the face, as part of the painting process.
Pennell reported Whistler as saying that in this portrait and The Master Smith of Lyme Regis [YMSM 450] 'he had really solved the problem of carrying on his work as he wished to until it was finished.' 1
1896: the frame was probably made at the time the picture was sold to Wunderlich's.
The frame is in the style of Frederick Henry Grau (1859-1892). 2
Last updated: 4th June 2021 by Margaret