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Several variations on the title are known:
'Brown and Gold: The Curé's Little Class' is the preferred title.
An interior scene in a church, in horizontal format. There are rows of wooden pews, with the class sitting at far left. Across the back is a very broad arch with broad pillars at left and right and two narrow ones in the middle, supporting the first floor balcony.
This was painted in the church of St Catherine, when Whistler was on a trip to Honfleur with E. G. Kennedy, New York art dealer, in July 1896. Whistler referred to it as the 'Honfleur Church' and 'The little St Catherine.' 5
After his wife's death, Whistler found some consolation in the shrines and rituals of the Roman Catholic Church when he was travelling with Kennedy (they spent a week, travelling to Le Havre, Honfleur and Trouville). The unusual subject probably reflects this interest. Indeed, when he had just started this painting on 14 July 1896 Whistler told his sister-in-law, 'If I could have found the old woman or a verger I should have put up a candle for Trixie - Indeed I wish I were a Catholic.' 6
This is one of several religious sites drawn or painted by Whistler around this time, including St John's, Westminster [YMSM 454], St Anne's, Soho c162 and St Giles-in-the-Fields c167.
1: Whistler to E. G. Kennedy, [23 July 1896], GUW #09756.
2: Whistler to D. C. Thomson, [October 1896/1900], GUW #08418.
3: Thirty-eighth Exhibition of Works of Modern Artists, Glasgow Institute of the Fine Arts, Glasgow, 1899 (cat. no. 198).
4: YMSM 1980 [more] (cat. no. 455).
5: Whistler to E. G. Kennedy, [23 July 1896], GUW #09756. Whistler to D. C. Thomson, [October 1896/1900], GUW #08418.
Last updated: 13th November 2020 by Margaret