Detail from The Canal, Amsterdam, 1889, James McNeill Whistler, The Hunterian, University of Glasgow

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Study of a Girl's Head and Shoulders

Titles

Alternative titles have been suggested:

  • 'Study of a Girl's Head and Shoulders' (1905, ISSPG). 1
  • 'Portrait of a Young Girl' (1933, Brewster collection catalogue, Chicago). 2
  • 'Study of a Girl's Head and Shoulders' (1980, YMSM). 3
  • 'Study of a Young Girl's Head and Shoulders (Baroness de Meyer)' (2015, AIC). 4

'Study of a Girl's Head and Shoulders' is the preferred title, since the identity of the sitter is not certain.

Description


                    Study of a Girl's Head and Shoulders, Art Institute of Chicago
Study of a Girl's Head and Shoulders, Art Institute of Chicago

A head and shoulders portrait of a young woman, in vertical format. Despite the title, she does not look like a girl. She is in three-quarters view to right, but looking directly at the viewer. She has thick brown hair cut in a fringe. She appears to be wearing a dark brown jacket over a dark blue scarf.

Sitter

It is possible that this is a portrait of Olga Alberta Caracciolo (1871–1930/1931), Baroness de Meyer, who lived in Dieppe between 1885 and 1897 and who owned this portrait by 1905. She had very long hair, which certainly is not suggested in this portrait, but could possibly have been rolled up at the back of her head.

Adolf de Meyer, Portrait d'Olga de Meyer, photograph, 1902
Adolf de Meyer, Portrait d'Olga de Meyer, photograph, 1902

An early portrait of her in a pink dress by Jacques Émile Blanche (1861-1942), painted in Dieppe (private collection), and White Lilies by James Jebusa Shannon (1862-1923), as well as photographs by her husband Adolf de Meyer, show that she had somewhat similar features to those seen in Whistler's sketch. 5

The Art Institute website comments:

'A well-known beauty, Olga Caracciolo lived in Dieppe, France, likely where this work was executed, and later married the photographer Adolf de Meyer. Rather than a swift, abbreviated study for a larger composition, Whistler considered a work such as this to be a satisfying aesthetic whole. Indeed, small paintings serve as invitations for an intimate viewing experience and contemplation of the artist’s harmonies of color and form.' 6

See also Arrangement in Pink, Red and Purple [YMSM 324], which was also at one time thought to show Olga Caracciolo.

Notes:

1: Memorial Exhibition of the Works of the late James McNeill Whistler, First President of The International Society of Sculptors, Painters and Gravers, New Gallery, Regent Street, London, 1905 (cat. no. 58).

2: Special View for the Benefit of Chicago Public School Art Society of the Collection of Mr and Mrs Walter S. Brewster ..., January 1933 (cat. no. 38).

3: YMSM 1980 [more] (cat. no. 486).

4: Art Institute of Chicago website at http://www.artic.edu.

5: Blanche's oil is reproduced in several online sites, including Wikimedia Commons, as is Shannon's oil. Brandau 1976 [more] , photograph of Baroness de Meyer repr. p. 15; Wikipedia website at https://fr.wikipedia.org/wiki/Olga_de_Meyer. See also 1897 photograph in 'Outrageous Olga' 2010 blog. All websites accessed 2020.

6: Art Institute of Chicago website at http://www.artic.edu.

Last updated: 4th December 2020 by Margaret